Acoustic Sounds
Lyra
Marley UHQR Catalog
By: Tracking Angle

February 6th, 2025

Category:

News

Analogue Productions and the Marley Family Announce Massive UHQR, SACD and Reel To Reel Bob Marley Catalog Reissue Series

a major score for AP and Bob Marley fans!

In celebration of Bob Marley’s 80th birthday, Acoustic Sounds’ Analogue Productions, in collaboration with the Marley family, is launching an ambitious series of reissues of Marley’s most iconic albums. Set to release in Spring 2025, the collection will feature Catch a Fire, Exodus, Uprising, Natty Dread, and more, available in premium formats including Ultra High Quality Record (UHQR) at 33rpm and 45rpm, SACD, and reel-to-reel tape.

Sourced directly from the original master tapes and pressed on 180-gram vinyl at Acoustic Sounds' renowned Quality Record Pressings plant in Salina, KS, these reissues promise an unparalleled listening experience that brings fans closer to Marley’s timeless sound. The UHQR series, known for setting the gold standard in vinyl production, has been meticulously crafted to deliver sound quality that surpasses previous editions, making it a must-have for audiophiles and Marley enthusiasts alike.

The reissue campaign, themed around Marley’s final studio album Uprising, not only honors his music but also his enduring legacy as one of the most influential artists of the 20th century. Acoustic Sounds founder Chad Kassem, who traveled to Jamaica and connected with the Marley family and Tuff Gong Studios, shares his journey and the inspiration behind this series in a special video HERE.

This series follows Acoustic Sounds’ acclaimed reissues of Steely Dan, Buena Vista Social Club, and Miles Davis, continuing their tradition of preserving music history with unparalleled care and precision. Learn more here.

Acoustic Sounds Announces Ambitious Slate of Bob Marley Reissues In Celebration of Global Icon’s 80th Birthday 

Classic Marley Albums Will be Available via Analogue Productions in a Variety of Configurations, Including 33rpm UHQR, 45rpm UHQR, 2LP 45rpm, SACD & Reel-To-Reel Tape

Coming Spring 2025, Pre-Order HERE

Join Acoustic Sounds Founder Chad Kassem on His Journey to Jamaica and Explore the Magic of Marley — Watch HERE

February 6, 2025 - Today, in celebration of what would have been Bob Marley's 80th birthday, Acoustic Sounds’ Analogue Productions label has joined forces with the Marley family to proudly announce an ambitious slate of reissues of several of the global legend’s most iconic albums in a number of deluxe configurations. Centered around the theme of Uprising, the series will honor Marley’s spirit and legacy as one of the most significant artists of the 20th century. 

Launching in Spring 2025 with specific release dates to be announced, the series will include seven classic Marley titles reissued in a variety of formats: 33rpm UHQR, 45rpm UHQR, 2LP 45rpm, SACD, and reel-to-reel tape (15 IPS on 1/4 inch tape). The configurations vary by title, see below for details.

Each of the Ultra High Quality Record (UHQR) and 2LP 45rpm releases will be sourced from original master tapes and meticulously mastered by Ryan Smith at Sterling Sound. Pressing will be handled by Acoustic Sounds’ world-class Quality Record Pressing plant in Salina, KS, to deliver exceptional sound quality and a listening experience worthy of Marley's timeless music. Bringing forty years of expertise and unparalleled reverence for historic releases to the series, these Analogue Productions titles will ensure Bob Marley’s music is preserved in its purest form, all while delivering an experience as close as possible to the original studio sessions.

“We’re honored to be working with the Marley Family to give these records the treatment they deserve,” said Acoustic Sounds founder Chad Kassem. “The experience of going to Jamaica, visiting Tuff Gong, and meeting the people carrying Bob Marley’s legacy forward was incredible, and we believe this series is a beautiful tribute to one of music’s greatest innovators.” Kassem shares more about his time in Jamaica and the making of Uprising HERE

The UHQR format from Analogue Productions/Quality Record Pressings sets a new standard in vinyl, surpassing previous UHQR records with innovative manufacturing techniques that meet Kassem’s exacting expectations. Originally produced at Japan’s JVC plant in the 1980s for various audiophile labels, UHQRs were costly but revered for their unmatched quality. Reviving the UHQR name required significant investment and a complete redesign of vinyl production, solidifying its legacy as the ultimate LP, elevating it above any other pressing series.

BOB MARLEY RELEASES LAUNCHING SPRING 2025 FROM ANALOGUE PRODUCTIONS:

Catch a Fire (1973), featuring “Stir It Up,” “Concrete Jungle,” and “Kinky Reggae.” This album will be available as a 1LP UHQR @33rpm, 2LP UHQR @45rpm, reel-to-reel, and SACD.

Burnin (1973), Marley’s sixth album and the second release by Bob Marley & The Wailers for Island Records, continues the series. The record features “Get Up Stand Up,” “I Shot The Sheriff,” and “Burnin’ & Lootin’.” Available as 1LP UHQR @33rpm, 2LP UHQR @45rpm, reel-to-reel, and SACD.

Natty Dread (1974), Marley’s groundbreaking album that introduced the I-Threes and a new musical direction, includes “No Woman No Cry,” “Them Belly Full (But We Hungry),” and “Lively Up Yourself.” The reissue will be released as a 1LP UHQR @33rpm, 2LP UHQR @45rpm, reel-to-reel, and SACD.

Rastaman Vibration (1976) followed the success of Natty Dread and features politically charged tracks like “Roots Rock Reggae,” “War,” and “Rat Race.” It will be reissued in 2LP UHQR @45rpm, reel-to-reel, and SACD configurations.

Exodus (1977), widely regarded as one of Marley’s most transformative works, features classic hits like “Three Little Birds,” “Jamming,” and “One Love.” This album, recorded during Marley’s exile in the U.K., cemented his status as a global superstar. It will be reissued as a 2LP UHQR @45rpm, reel-to-reel, and SACD.

Kaya (1978) recorded simultaneously with Exodus in the U.K., showcases a softer side of Marley, with songs such as “Is This Love,” “Satisfy My Soul,” and “Easy Skanking.” A love letter to the lifestyle Marley embraced, this album will be available in 2LP @45rpm and SACD configurations.

Uprising (1980), the last studio album released during Marley’s lifetime, reflects a deeply spiritual and prophetic vision. Tracks such as “Redemption Song,” “Could You Be Loved,” and “Pimper’s Paradise” highlight Marley’s artistry and message of resilience. This album will be reissued in 2LP @45rpm and SACD formats.

Acoustic Sounds has created a masterfully-crafted and meticulous series through which listeners can relive these celebrated classics. For over forty years, Acoustic Sounds has championed the art of vinyl, reissuing historic recordings with the utmost care and precision. Other recent releases include Steely Dan’s 1970s recordings, Buena Vista Social Club’s self titled album, and Miles Davis’ Birth of the Blue with many more exciting releases on the horizon.

ABOUT BOB MARLEY

Bob Marley, a Rock and Roll Hall of Fame inductee, is notable not only as the man who put Reggae on the global map but also as a statesman in his native Jamaica; he famously brought together the country’s warring factions. Today, Bob Marley remains one of the 20th century’s most important and influential entertainment icons. Marley’s lifestyle and music continue to inspire new generations as his legacy lives on through his music. The 2024 biographical drama and musical film based on Marley’s life, Bob Marley: One Love, opened at #1 at the domestic box office on Wednesday, February 14th, with a record-breaking $14M, and a CinemaScore and 5 out of 5 stars on PostTrak. It had a strong Valentine’s Day opening internationally, setting new records for a music biopic opening in the U.K., New Zealand, and Belgium. Overall, the movie opened at No. 1 in 13 international markets, including the U.K., France, Australia, Netherlands, New Zealand, Portugal, and Norway, and the film set the record for the biggest film opening of all time in Jamaica. After only 10 days in theaters, Bob Marley: One Love surpassed $100 million at the worldwide box office. Overall, the movie grossed $185M at the worldwide box office.

 

In the digital era, he has the second-highest social media following of any posthumous celebrity. The official Bob Marley Facebook page draws over 66 million fans, ranking it among the Top 50 of all Facebook pages (#47), and the Top 20 among all celebrity pages (#17). Marley’s music catalog has sold millions of albums worldwide. His iconic collection LEGEND is the longest-charting album in Billboard Magazine’s Catalog Albums chart and remains the world’s best-selling reggae album, and second longest charting album of all-time overall. “Could You Be Loved,” the first single off Marley’s last album, Uprising (also featured on Legend,) was named one of the "500 Best Songs of All Time" by Rolling Stone Magazine (2021) and surpassed one billion streams on Spotify this Fall (2024).  Marley’s accolades include inductions into the Rock and Roll Hall of Fame (1994) and ASCAP Songwriters Hall of Fame (2010), a GRAMMY® Lifetime Achievement Award (2001), multiple entries in the GRAMMY® Hall Of Fame, and a star on the Hollywood Walk of Fame (2001). For more information, visit bobmarley.com and facebook.com/bobmarley.

ABOUT ACOUSTIC SOUNDS

For over forty years, Acoustic Sounds has championed the art of vinyl, reissuing historic recordings with the utmost care and precision. The company was founded by Chad Kassem, whose unlikely journey from a small apartment-based vinyl resale operation to the helm of the world’s largest vertically integrated vinyl production facility has transformed the high-end audio industry. His Salina, Kansas-based company houses Acoustic Sounds in its entirety, a reissue label (Analogue Productions), state-of-the-art pressing plant (Quality Record Pressings), a mastering facility (The Mastering Lab at Acoustic Sounds), a recording studio and concert venue (Blue Heaven Studios), print shop (Consolidated Printing) and original recordings label (APO Records). Kassem’s relentless dedication to sound quality and preservation of historical recordings has made Acoustic Sounds a trusted source for high-fidelity music.Today, the company presses over a million records each year, bringing legendary labels and artists - from Verve, Impulse, Atlantic and Contemporary Records, to John Coltrane, Jimi Hendrix, Steely Dan and The Doors - as they’ve never been heard before to fans worldwide. Chad Kassem’s commitment to excellence has redefined the boundaries of high-quality vinyl production and built an empire grounded in authenticity and quality.

Comments

  • 2025-02-06 11:41:34 AM

    Bigmule wrote:

    Wonderful !!!!

    “One good thing about music, is when it hits…..you feel no pain…”

  • 2025-02-06 03:36:05 PM

    Jeff 'Glotz' Glotzer wrote:

    I really hope he trickles the releases in a staggered process. It's a lot to afford. In fact, I bought quite a few of the Jamaican reissues and while I love the UHQRs of Exodus and Rastaman Vibrations, I doubt my desire to re-purchase these yet again, all at once.

  • 2025-02-06 04:01:30 PM

    bwb wrote:

    Not that I'm probably going to buy any, but I am curious about the tapes. What does "Sourced from original master tapes" mean?

    They obviously can't keep playing the master over and over to make each copy so what is the process? Make a copy of the master that is then used to make each copy they are selling? If so, is the signal from the master somehow processed (remastered) to make this tape or is it a direct transfer of the master? Just curious..

    • 2025-02-06 06:48:27 PM

      Michael Fremer wrote:

      The original tape gets played once. A lacquer is cut. The lacquer gets plated. The "father" is pulled from the plated lacquer. The father is a ridged not grooved piece of metal. It could be used to press records, and that would be a "one-step" record but the stamper can only be used so long before it wears out so the "father" is plated and it produced a grooved metal part called a "mother" (I'm surprised this 'sexist' language hasn't been retired. The "mother" gets plated again and it produces a ridges stamper that can press 1000+ copies. The "mother" can be plated many times without losing any quality. That's the process. Comprende?

      • 2025-02-06 10:09:42 PM

        bwb wrote:

        Yo comprendo the explanation about how a record is created from the tape, but that does not explica how the tapes are made, which is what I was asking about.

      • 2025-02-06 10:14:44 PM

        bwb wrote:

        Even for a record it seems unlikely that the original tape only gets played once. Since they are "Mastered from the original tapes" don't they have to listen to the master tape to decide what EQ if any is going to be applied as part of the mastering process before they cut the lacquer? Just curious

    • 2025-02-07 12:19:54 PM

      PeterPani wrote:

      Maybe they make a straight digital HiRez-copy and use that. So it is still sourced from original master tape.

      • 2025-02-07 01:34:02 PM

        Steve Burke wrote:

        Analogue Productions will not do it this way, it will be cut AAA from the original master

        • 2025-02-07 02:34:25 PM

          PeterPani wrote:

          No way, they will get the permission to make 10+ copies of the mastertape, just to sell single tapes for $450 each.

        • 2025-02-07 03:15:40 PM

          bwb wrote:

          The 33 and the 45 LPs say "Mastered from the original master tapes" , the SACD say "Mastered Direct To DSD" and the tapes say "Sourced from original master tapes , Transferred using ATR-modified Ampex Tape Machine with flux magnetic heads." It reads to me like they are making direct copies of the master tape but what does "transferred" actually mean? What does "Mastered from" actually mean?

          IMHO they do themselves a disfavor by making such a vague statement that leads to all of this speculation. Seems like they would have learned something from the MoFi debacle, but since they leave us guessing they obviously did not. If they are asking $150 for a record and $450 for a tape the buyer deserves to know how it was produced. I for one, am not buying any of it.

          • 2025-02-07 07:03:06 PM

            PeterPani wrote:

            They simply could print AAA on the vinyl sleeves and master copy all analog to Ultratape and everything would be clear. I stopped buying tapes since the Coltrane, because I get no infos.

    • 2025-02-09 04:15:37 AM

      Malachi Lui wrote:

      correct, the R2R releases are made from a copy of the master. an EQ'd/mastered copy tape is made from the available master tape, then they duplicate the copy tape to the commercially released tapes. they have a room of a ton of machines recording the commercial tapes as the 2nd gen copy plays. so yes, they play the 2nd gen copy a few times to make the tapes they sell. the commercial tapes seem like a small run product due to how niche and expensive it is, so they're not running the first EQ'd copy to shreds.

  • 2025-02-06 05:57:05 PM

    Michael Weintraub wrote:

    Would like to know if Catch a Fire is the original version, without the overdubs added later. The only decent sounding version of the original that I know of is a Japanese press. Never heard an original from Jamaica, but I've been told the pressings are quite poor.

    • 2025-02-06 06:49:50 PM

      Michael Fremer wrote:

      I have a Jamaican pressing of "Burnin'" and the sound is quite good. It was pressed from an EMI produced stamper

    • 2025-02-06 06:53:54 PM

      anothercosta wrote:

      Right, which version of "Catch A Fire"?

    • 2025-02-07 04:25:24 PM

      MrRom92 wrote:

      The original version IS the one with the overdubs. The mix that strips everything back without the overdubs was made in the 2000’s, and likely only exists in a digital format anyway.

      • 2025-02-07 06:37:06 PM

        Michael Weintraub wrote:

        Well, I have a Japanese pressing from 1974 that has no overdubs, and it's certainly not digital: https://www.discogs.com/release/6533105-The-Wailers-Catch-A-Fire The overdubs were added for the original American release, but I believe first Jamaican release does not have them either, but again, I have not heard one. Not sure about the UK version, but since it was released by Island I think it probably has the overdubs as well.

  • 2025-02-07 05:23:42 AM

    Willie Luncheonette wrote:

    The version everyone knows with the overdubs is the better one. The added instrumentation is extremely well done and does not detract at all. Plus the running order is better. The Jamaican mix has two extra tracks that really do not add much and clog up the flow. The Jamaican mixes sound a little rougher in comparison but they do let the vocals come to the forefront and it is a joy hearing these three singers at their best. I would be very surprised if these are the Jamaican mixes but either way these reissues are most welcome.

    • 2025-02-07 06:39:47 PM

      Michael Weintraub wrote:

      That was part of why I was wondering. If it's the one with the overdubs, it might be easier for me to justify the purchase, since it's different from the one I have. Not sure I agree with you about the overdubbed version being better, however, just different. Both versions have their merits, and it's terrific music either way. I like the stripped down sound of early Wailers recordings. My 1974 Japanese press sounds very nice.

  • 2025-02-07 12:52:06 PM

    Tom wrote:

    Placed my order for all five of the Tapes and the three 33 albums. I figure this will be another 2/3 year effort.

  • 2025-02-07 07:16:06 PM

    Anton wrote:

    I was feeling so wild and crazy yesterday that I bought a record I don’t already own!

    Didn’t we all but reissues of this stuff last year?

    • 2025-02-07 10:57:04 PM

      Michael Weintraub wrote:

      Chasing pressings is dangerously close to chasing the dragon: "I just know that this next version is the one, and then I'll be satisfied!" This way lies madness.

      • 2025-02-12 01:10:42 AM

        Johnny wrote:

        But we’re all a little mad; so if I’m just a little more mad, that’s okay, right? It’s going to be hard to resist on some of these.

      • 2025-02-12 01:10:44 AM

        Johnny wrote:

        But we’re all a little mad; so if I’m just a little more mad, that’s okay, right? It’s going to be hard to resist on some of these.