Music Reviews: Electronic

Let’s get it out of the way: Dhani Harrison sounds a lot like his father George, except that he doesn’t sound like him at all. That’s a very "Beatley" way to begin the conversation, which lives within Dhani Harrison’s musicianship: the musical roots of his father are everywhere to be found, however Dhani has his own voice and musical vision.Though Dhani has a new album and project coming, his last solo release - Innerstanding (Hot Records/BMG) - released in... Read More

“Ambient is the space, the afterglow left when the centre has collapsed. It’s in the amorphous, beatless oscillations of post-rock, the multiple releases of abstract electronica which criss-cross the twenty-first-century skies like fading vapour trails. It implies an absence of subject.”David Stubbs, “Mars by 1980, The Story Of Electronic Music”, Faber & Faber, 2018, p304 Kieran Hebden (aka Four Tet) is an English electronic producer who does not necessarily make... Read More

There will be some Tracking Angle readers for whom Aphex Twin needs no introduction; and others will prefer not just an introduction, but a lengthy and detailed explanation. Explaining Aphex Twin is a very difficult notion. Genres are not sufficient to define his music, but electronic production is central to his modus operandi. If you enjoy the kind of splattering, gritty breakbeat riot represented by “Come To Daddy”, then you will know him well already. If you have... Read More

As listeners and reissue labels contextualize new age music in the broader history of ambient music, probably the biggest resurgence has been that of Laraaji, the zither master who’s worked with Brian Eno, Haruomi Hosono, and Bill Laswell, and who also leads laughter meditation workshops. Now, Numero Group presents Segue To Infinity, a recently released 4LP box set encompassing his first LP, 1978’s Celestial Vibration, and three discs of recently discovered recordings from the same time.

After almost a decade under its belt, Bestial Mouths is still a shape-shifting collective. What started as a group with numerous lineup changes became a vehicle for vocalist Lynette Cerezo to express her lyrics of personal trauma and tribulations. Alongside instrumentalists Brant Showers and Matthew Tucker, Bestial Mouths displays a sound that brings together the gothic elements of post-punk giants Siouxsie and the Banshees, The Cure, and Depeche Mode with some... Read More

For many pioneers of electronic pop music, the 1990s presented an identity struggle beyond the usual midlife crisis. Synths and drum machines were now widely accessible and ubiquitous: your $4000 synth isn’t so special anymore, your $5000 sequencer that constantly broke down on stage is a relic of the distant past, and any Detroit techno producer, Manchester acid house enthusiast, or some smiling dude from Cornwall could render your entire career obsolete. Past... Read More

Gabe Gurnsey is the former drummer of “post-industrial” band Factory Floor, but on the late 2022 LP “Diablo” he has teamed up with vocalist and girlfriend Tilly Morris to produce an electronic opus to dancing and lust. This release comes from Phantasy Records, run by English DJ Erol Alkan. Phantasy is also home to electronic producer and DJ Daniel Avery, and house and techno artists such as Fort Romeau and Red Axes. There is a strong flavour of 1980s electronic pop to... Read More

The mystery of Bladee increases yet again. Never slowing down for anyone, the 28-year-old Swedish artist and Drain Gang leader returns with Spiderr, his second album this year after March’s Ecco2k collaboration, Crest. Bladee (Benjamin Reichwald) is this era’s most prolific and enigmatic cult icon, constantly evolving his aesthetic as legions of terminally online teenagers rush to copy his every move (and horrifically fail). Since his 2018 mixtape Icedancer, Bladee’s... Read More