Music Reviews: Rock

To peer through the lens of one of Elliott Smith’s key influences for a moment: everyone knows when an artist has made their Rubber Soul, White Album, or Let It Be. Rubber Souls are transitional — exotic, quixotic dispatches from early creative growth spurts. White Albums are post-genre, post-everything info dumps — essentially kits that dare you to build your own record. As for a band’s eventual demise, Let It Bes show the writing on the wall. And then there’s Sgt.... Read More

Definitely watch the Yacht Rock doc on HBO Max even if just the concept of the non-existent genre makes you seasick. It's a fun watch and it ties together the musicians who played in so many studio bands cobbled together to make smooth-rock. Plus Toto. The doc producer cast a wide net. Steely Dan got caught up in it not because of the music, but because Fagen and Becker recruited so many of these nimble-fingered (and voiced) studio cats to play on their... Read More

Within a musical climate dominated by disco on the charts and airwaves, Foreigner became the poster boys of ‘corporate rock’ in the mid-1970s. A varied career of session work led guitarist Mick Jones to create an entity that reflected his musical vision of commercially viable headknocking rock. The cross-nationality of the group’s American (Lou Gramm, Ed Gagliardi, Al Greenwood) and British (Mick Jones, Dennis Elliott, Ian McDonald) members cleverly lent itself to the... Read More

Aside from American Beauty, I’d always seen the Grateful Dead as the worst American rock-and-roll had to offer. Oversaturated, meandering, and uber-merchandised. To me, they weren’t so much a band as they were a brand. It wasn’t until a recent dive into avant-psych statement Anthem of the Sun that I “got it.” Suddenly, I was able to see past the tie-dye and bleary-eyed, syrupy-sweet nostalgia. I’d finally struck gold; the feeling I’d always heard about from Dead... Read More

Boston, a city rooted in rock and roll lore, has served as home base for giants like Aerosmith, The Cars, The J. Geils Band, and of course the aptly named Boston. The Freight is one of the more noteworthy groups on the city’s growing up-and-coming artists roster. The foursome formed in 2020 has an ever increasing New England following and for two consecutive years was nominated for "Rock Act of the Year" by the New England Music Awards. The group has... Read More

It’s funny. When you have a large record collection, people always want to hear the obscure, professorial selections when dropping by for an impromptu listening party. And I’m into that for sure. But there has always been a part of my brain that thinks, “Let’s just crack a beer (or several) and listen to Fair Warning!” The problem, as many of you already know, is that Van Halen always sounded way better played over a crappy car stereo or blasting out of Radio Shack... Read More

When discussing music some Boomers are quick to pull the “music was better in the 1960s” card. It’s a clichéd and cringy statement, but the decade’s musical impact is undeniable. It’s astounding to imagine an audience that welcomed boundary-pushing innovations by artists that dominated the decade, though what they really did was draw from influences that date back centuries. The fact that those bodies of work transcend decades and generations to touch both new artists... Read More

Sustaining an ongoing 15-year professional career is a challenge for most modern bands. In recent years Ghost has succeeded to the highest degree. Their last album, Impera, met with critical acclaim and raised the group to arena-filling status. Due in part to the song trending on TikTok, “Mary on a Cross” became the Swedish group's first Platinum-certified American single.Their theatrical live shows became immortalized on film with the release of the Rite Here... Read More

Late '60s British rock bands had to fit themselves into a specific mold, whether it was a psychedelic uniform of flared pants and satin shirts, or the presence of a guitar god and wailing vocalist. In the case of Jethro Tull, when audiences saw a scruffy Ian Anderson wearing an overcoat, standing on one leg, face twisted into possessed expressions, blowing excitedly into a flute, eccentricity worked in the band's favor . Jethro Tull's fit into the scene... Read More

Before they were “first band in space,” Pink Floyd performed to the ghosts of thousands. From the accidental destruction of footage to a glimpse at the creation of one of the most iconic albums in rock-and-roll history, all the way down to one very controversial aspect ratio crop, it’s been a long road to 2025’s Pink Floyd at Pompeii. Of course a show played at ancient Roman ruins would have this mythos surrounding it!The ashes have been brushed off this storied... Read More

Ever since arriving on the U.K. scene, harmonica holder around neck, strumming a guitar, singing a "wind" song (about catching it not looking for answers blowing in it), and being described as "the Scottish Bob Dylan" Donovan has unfairly suffered a respect deficit among some Boomer-aged music fans. The famous clip from "Don't Look Back" where a half a decade younger Donovan plays and sings in a room full of Dylan fans has long been... Read More

Freshly sprung from his contractual ties to the other Fabs, the McCartneys and Co. in January of 1975 lit upon New Orleans. With a batch of new songs that he was sure would surpass those on Band On The Run, contemporary reports found that Paul was feeling as toppermost as he had in years. And by settling on the Crescent City as his recording venue, he may have been hoping to recapture the magic (and the Grammy noms…) he’d found by once again working outside of the... Read More

Queen’s legacy is at the same ante as the Beatles, where one in every four households is likely to own their Greatest Hits compilation. Best known for crafting mini operatic suites and sports stadium anthems, the casual listener is probably not in tune with Queen’s hard-rocking origins. Hollywood Records focused on that era with the release of Queen I last year. Different release configurations transformed it from a remix of their self-titled debut into a period deep... Read More

Dylan Peggin did a great job writing for Tracking Angle recently when he gave us the back story of the making of Black Sabbath’s Paranoid album. He also gave us the scoop on the new Rhino High Fidelity pressing, giving it very high marks for packaging, music and sound.For comparison, he used the well-regarded 2006 Rhino pressing of Paranoid cut AAA by Kevin Gray, which was subsequently repressed on colored vinyl in 2015 for Vinyl Me Please. He also had the Rhino vinyl... Read More

The Doors are one of the most represented Record Store Day artists, guaranteed every year to have a special release. Whether it's reissues of long-forgotten mono mixes, singles, curated compilations, live recordings, or studio outtakes, RSD is a means for the most obsessive of Doors completists to stuff their shelves with the yearly limited edition offerings. No artist output has been nit-picked and criticized as much as the Doors' catalog, but the past few... Read More

This is a good time to be alive if you are a Neil Young fan. For years, Neil Young, an archivist like few others, has saved everything. And when I mean everything, take a gander at the Neil Young Archives. Here we find photographs, original lyric sheets, ephemera, videos, and all the music. The music quality, it goes without saying, is also presented in a similarly archival manner. For those who stream, you are treated to a digital source that is as close as you can... Read More

There wasn’t a better time than the early 2000s for a band to break through like The Donnas. After honing their craft on their first four albums on the independent punk label Lookout Records, the big leagues at Atlantic Records signed the female quartet. Between the release of the Spend The Night album, “Take It Off” becoming their signature track, and placements in film and video game soundtracks, they managed to break into the mainstream, brandishing a hard rock... Read More

Until Katy Lied, the "commercial" $29.99 Steely Dan reissues were cut using Bernie Grundman mastered digital files. All of the previous Dan albums therefore should have sonically resembled the UHQR 45rpm versions issued by Analogue Productions. None did. All sounded D.O.A. They were cut by a lesser known, let's say "second tier" Long Island, N.Y. based mastering engineer. Was the problem the quality of his cutting system? After all, a lacquer... Read More