Music Reviews: Rock

The Doors: a group that has more compilations than actual studio releases. Longtime fans will whinge at nauseam when an anniversary passes and the major label earwigs grace record store shelves with another ‘ultimate’ or ‘best of’ collection. Regardless of the oversaturation of releases such as those, it engrains the self-marketed ‘Band from Venice’ in the public’s consciousness, or subjects novices to the Lizard King ethos. Their discography is even more complex when... Read More

1975 was a weird year for pop music. The Captain and Tennille had the best-selling single of the year with “Love Will Keep Us Together.” Meanwhile, Neil Young was parked in the ditch, wasted at the wake on Tonight’s The Night. Just over the guardrail, Bob Dylan returned from his own surreal excursions. Queen released the biggest song of their career. While the Carpenters were snuggled up in their parent-pleasing inoffensive confections, Led Zeppelin dealt blockbuster... Read More

In the heart of the Fishtown neighborhood of Philadelphia, just under the Market Street Elevated (‘the el’ as the locals call it), is a mural of text and visual interpretations of songs from a native’s album. That mural alone cements Kurt Vile's place within the city’s culture. Originally from the borough of Lansdowne, Kurt’s career progressed from creating low-fidelity bedroom recordings to the slickest-sounding nuggets from his home studio. Vile’s twist on... Read More

I think I was 18 or 19 years old the first time I heard Title Fight play. I remember standing in the hot summer Texas sun at the Mohawk on Red River street waiting for Converge to play, and all of a sudden this group of unassuming kids in loose-fit denim from Kingston, PA took the stage. They were followed quickly by a cohort of 20 or so teenagers that took over the crowd with the kind of energy that made damn sure everyone knew that we were watching the greatest punk... Read More

Compilations tend to carry a certain stigma: contractual obligations, a stopgap between releases, executed without consent, or labels ringing every last dollar from a catalog. Some are subject to scrutiny regarding imbalanced tracklists and why certain songs were included or excluded. Regardless of intent, it provides curious fans with an ‘all-in-one’ primer, or sways the diehards with a dull obligation because of one exclusive track. Beyond the generalized view where... Read More

The Late Show is dead. Long live The Late Show. Last week, CBS announced that its flagship late-night show — launched by David Letterman in 1993 after his departure from NBC’s Late Night, and hosted by Stephen Colbert since 2015 — will end by May of next year. Not just Colbert’s version, which was never quite my bag, but the whole damn thing. Officially, it’s a cost-cutting move, but plenty see political pressure behind it. For me, it’s mostly a marker of time.As a... Read More

Of all the groups from the Detroit music scene in the early 2000s, The White Stripes were a group shrouded in enigma. Jack and Meg White played into their mythology, portraying themselves as siblings to distance their reality as ex-spouses in a child-like uniform of red, white, and black regalia. Working within strict limitations couldn’t contain the duo’s explosive sound, which embodied the brash garage rock influence from the Motor City, yet was soaked in bluesy... Read More

To peer through the lens of one of Elliott Smith’s key influences for a moment: everyone knows when an artist has made their Rubber Soul, White Album, or Let It Be. Rubber Souls are transitional — exotic, quixotic dispatches from early creative growth spurts. White Albums are post-genre, post-everything info dumps — essentially kits that dare you to build your own record. As for a band’s eventual demise, Let It Bes show the writing on the wall. And then there’s Sgt.... Read More

Definitely watch the Yacht Rock doc on HBO Max even if just the concept of the non-existent genre makes you seasick. It's a fun watch and it ties together the musicians who played in so many studio bands cobbled together to make smooth-rock. Plus Toto. The doc producer cast a wide net. Steely Dan got caught up in it not because of the music, but because Fagen and Becker recruited so many of these nimble-fingered (and voiced) studio cats to play on their... Read More

Within a musical climate dominated by disco on the charts and airwaves, Foreigner became the poster boys of ‘corporate rock’ in the mid-1970s. A varied career of session work led guitarist Mick Jones to create an entity that reflected his musical vision of commercially viable headknocking rock. The cross-nationality of the group’s American (Lou Gramm, Ed Gagliardi, Al Greenwood) and British (Mick Jones, Dennis Elliott, Ian McDonald) members cleverly lent itself to the... Read More

Aside from American Beauty, I’d always seen the Grateful Dead as the worst American rock-and-roll had to offer. Oversaturated, meandering, and uber-merchandised. To me, they weren’t so much a band as they were a brand. It wasn’t until a recent dive into avant-psych statement Anthem of the Sun that I “got it.” Suddenly, I was able to see past the tie-dye and bleary-eyed, syrupy-sweet nostalgia. I’d finally struck gold; the feeling I’d always heard about from Dead... Read More

Boston, a city rooted in rock and roll lore, has served as home base for giants like Aerosmith, The Cars, The J. Geils Band, and of course the aptly named Boston. The Freight is one of the more noteworthy groups on the city’s growing up-and-coming artists roster. The foursome formed in 2020 has an ever increasing New England following and for two consecutive years was nominated for "Rock Act of the Year" by the New England Music Awards. The group has... Read More

It’s funny. When you have a large record collection, people always want to hear the obscure, professorial selections when dropping by for an impromptu listening party. And I’m into that for sure. But there has always been a part of my brain that thinks, “Let’s just crack a beer (or several) and listen to Fair Warning!” The problem, as many of you already know, is that Van Halen always sounded way better played over a crappy car stereo or blasting out of Radio Shack... Read More

When discussing music some Boomers are quick to pull the “music was better in the 1960s” card. It’s a clichéd and cringy statement, but the decade’s musical impact is undeniable. It’s astounding to imagine an audience that welcomed boundary-pushing innovations by artists that dominated the decade, though what they really did was draw from influences that date back centuries. The fact that those bodies of work transcend decades and generations to touch both new artists... Read More

Sustaining an ongoing 15-year professional career is a challenge for most modern bands. In recent years Ghost has succeeded to the highest degree. Their last album, Impera, met with critical acclaim and raised the group to arena-filling status. Due in part to the song trending on TikTok, “Mary on a Cross” became the Swedish group's first Platinum-certified American single.Their theatrical live shows became immortalized on film with the release of the Rite Here... Read More

Late '60s British rock bands had to fit themselves into a specific mold, whether it was a psychedelic uniform of flared pants and satin shirts, or the presence of a guitar god and wailing vocalist. In the case of Jethro Tull, when audiences saw a scruffy Ian Anderson wearing an overcoat, standing on one leg, face twisted into possessed expressions, blowing excitedly into a flute, eccentricity worked in the band's favor . Jethro Tull's fit into the scene... Read More

Before they were “first band in space,” Pink Floyd performed to the ghosts of thousands. From the accidental destruction of footage to a glimpse at the creation of one of the most iconic albums in rock-and-roll history, all the way down to one very controversial aspect ratio crop, it’s been a long road to 2025’s Pink Floyd at Pompeii. Of course a show played at ancient Roman ruins would have this mythos surrounding it!The ashes have been brushed off this storied... Read More

Ever since arriving on the U.K. scene, harmonica holder around neck, strumming a guitar, singing a "wind" song (about catching it not looking for answers blowing in it), and being described as "the Scottish Bob Dylan" Donovan has unfairly suffered a respect deficit among some Boomer-aged music fans. The famous clip from "Don't Look Back" where a half a decade younger Donovan plays and sings in a room full of Dylan fans has long been... Read More