About 23 pages into “Revolución to Roxy”, you’ll find eight-year-old Phil Manzanera carrying a small tray of cake and Cuban coffee to a man across the road standing watch over an empty house. By way of thanks the guard gives him a “broad smile” and then, as a sort of improvised firecracker, sets off a pinch of gun powder from an empty .303 shell. That’s just one charming glimpse into the life of the Roxy Music guitarist at a time that was otherwise lit up by the... Read More

Girls DO count. If you were able to plaster one of those hip Instagram filters over the titanic lore that hovers around Joy Division, you might just be able to make out another side of the Factory Records story. In fact a fair, full spectrum reading of the label that launched that iconic band would more accurately render it as a true indie success story - one built on a semi-fanatical vision in a semi-derelict city that imploded in a semi-brilliant fashion.Now Audrey... Read More

Author and Beatles historian Kenneth Womack releases the first of two volumes centered around the life of Beatles manager Mal Evans

One of Alt Rock's premier guitarists delves into his 40-plus year career

A publicist recently pitched me this just released book, describing it as a celebration of the 75th anniversary of the first commercial LP and claiming it to be an "authoritative, highly illustrated, and multi-faceted look at the history and culture of vinyl record collecting and turntables." Five authors are listed: Gillian Garr, Martin Popoff, Matt Aniss, Richie Unterberger and Ken Micallef. I'd heard of two: Richie Unterberger and Ken Micallef.... Read More

What happened to Sly Stone? His new memoir, Thank You (Falletinme Be Mice Elf Agin), purports to tell all. Co-written with Ben Greenman and Sly's once-girlfriend, now-manager Arlene Hirschkowitz, Thank You is the first time the now 80-year-old, interview-reluctant artist has told his side of the story: his formative years, his rise to superstardom, and the long decline that followed.

Here are notes on a selection from my favorite books on the history of recording technology, the history of the record business, and the interactions between recording technology, the record business, and the art of music. One example of what I mean by all that is, in the late 1920s, piezoelectric “crystal” microphones supplanted carbon microphones for radio broadcasting. Crystal microphones had a better signal-to-noise ratio than carbon microphones. Therefore, the... Read More

Here are notes on a selection from my favorite books on the history of recording technology, the history of the record business, and the interactions between recording technology, the record business, and the art of music. One example of what I mean by all that is, in the late 1920s, piezoelectric “crystal” microphones supplanted carbon microphones for radio broadcasting. Crystal microphones had a better signal-to-noise ratio than carbon microphones. Therefore, the... Read More

Once they step behind the rock and roll curtain, whatever runs-ins a journalist might have with famous (or soon to be famous…) musicians can eventually collapse into the mundane. They’re there to sell a record or tickets, and you’re there to help them do that and not much more. If you get to snag a few beers off their rider, all the better. But back during the days glamorized by that largely dreadful “Almost Famous” film, there was, in general, more to it. More fun... Read More

Here are notes on a selection from my favorite books on the history of recording technology, the history of the record business, and the interactions between recording technology, the record business, and the art of music. One example of what I mean by all that is, in the late 1920s, piezoelectric “crystal” microphones supplanted carbon microphones for radio broadcasting. Crystal microphones had a better signal-to-noise ratio than carbon microphones. Therefore, the... Read More

Here are notes on a selection from my favorite books on the history of recording technology, the history of the record business, and the interactions between recording technology, the record business, and the art of music. One example of what I mean by all that is, in the late 1920s, piezoelectric “crystal” microphones supplanted carbon microphones for radio broadcasting. Crystal microphones had a better signal-to-noise ratio than carbon microphones. Therefore, the... Read More

Here are notes on a selection from my favorite books on the history of recording technology, the history of the record business, and the interactions between recording technology, the record business, and the art of music. One example of what I mean by all that is, in the late 1920s, piezoelectric “crystal” microphones supplanted carbon microphones for radio broadcasting. Crystal microphones had a better signal-to-noise ratio than carbon microphones. Therefore, the... Read More

Here are notes on a selection from my favorite books on the history of recording technology, the history of the record business, and the interactions between recording technology, the record business, and the art of music. One example of what I mean by all that is, in the late 1920s, piezoelectric “crystal” microphones supplanted carbon microphones for radio broadcasting. Crystal microphones had a better signal-to-noise ratio than carbon microphones. Therefore, the... Read More

Here are notes on a selection from my favorite books on the history of recording technology, the history of the record business, and the interactions between recording technology, the record business, and the art of music. One example of what I mean by all that is, in the late 1920s, piezoelectric “crystal” microphones supplanted carbon microphones for radio broadcasting. Crystal microphones had a better signal-to-noise ratio than carbon microphones. Therefore, the... Read More

Here are notes on a selection from my favorite books on the history of recording technology, the history of the record business, and the interactions between recording technology, the record business, and the art of music. One example of what I mean by all that is, in the late 1920s, piezoelectric “crystal” microphones supplanted carbon microphones for radio broadcasting. Crystal microphones had a better signal-to-noise ratio than carbon microphones. Therefore, the... Read More