Music Reviews: Jazz

Every album by tenor saxophonist Charles Lloyd these past few years is a voyage of sorts, his latest, Figure in Blue, more than most, and not just because he turned 87 while recording it this past March, though every birthday at that point is a milestone, and every creative endeavor is both a reminiscence and an ambitious plunge into the now. This double-LP—98 minutes of starkly revealing music, Lloyd blowing front and center, backed only by Jason Moran on piano and... Read More

It's been almost 20 years since guitarist/arranger Anthony Wilson released a nonet record. That one was Power of Nine (Groove Note GRV1035-1) and it's certainly highly recommended but that was then and this is now. And now is a very good time for Anthony Wilson. Over the past few years he's released a series of musically thoughtful and intriguing albums including Songs and Photographs and Frogtown. Worth checking out.Wilson is now back with a live nonet... Read More

Of course Art Pepper, 31 when this album was recorded, doesn't really "meet" the rhythm section on the January 19th, 1957 recording, which puts the alto saxophonist hard left channel and the rhythm section hard right with little but open subtle ambient space between the two. Bernie Grundman explains in the booklet accompanying Contemporary Analogue Productions UHQR titles that the passive board didn't feature a center panning pot so it resembles... Read More

Back in 2016, while interviewing her for a New Yorker profile, I asked Cécile McLorin Salvant, who was 28 years old and just emerging as the era’s greatest jazz singer, whether she might cover contemporary pop tunes. The question made her wince. “There are some new songs that I really like,” she replied, “but I never think, ‘Maybe I’ll sing this song.’ I don’t care whether what I do is modern or of our time. I want to sing songs that have this timeless quality… I love... Read More

Jazz Patterns is a live album recorded in 1970 by the same great Joe Henderson band that recorded the classic Milestone album, If You’re Not Part Of The Solution, You’re Part Of The Problem. Since its release in 1982 on the Everest Archive of Folk and Jazz Music label, Jazz Patterns has always been an elusive and mysterious album. Everest, once highly regarded by audiophiles, had by 1982 long fallen into the deepest depths of the budget label netherworld and... Read More

Our reissue story starts May 27th 2015 at Bernie Grundman mastering, Gower Avenue, Hollywood, CA. Chad Kassem is there, Contemporary Records founder Lester Koenig's son John is there, I am there. Most importantly the master tape of Sonny Rollins' Way Out West is there.

Amina Claudine Myers should be a lot more famous than she is. A composer-pianist-organist-singer of spiritual depth and grand virtuosity, she has been recording, as a leader or accompanist, for nearly a half century, but mainly for small labels and as a member of an alliance—the avant-garde Association for the Advancement of Creative Musicians (AACM), which also spawned the Art Ensemble of Chicago, Henry Threadgill, Anthony Braxton, and many others—that didn’t (and... Read More

Mary Halvorson is the jazz guitarist of the moment. The just-published Downbeat Critics’ Poll ranks her as #1 Guitarist of the Year, her Amaryllis Sextet as #1 Group of the Year, and Halvorson herself as #2 Artist of the Year (outflanked just barely by tenor saxophonist James Brandon Lewis).As if to sharpen the point, her new album—About Ghosts, her 14th as a leader since emerging as a wildly adventurous 27-year-old in 2008, her 4th release on the Nonesuch label... Read More

The Surrounding Green is Fred Hersch’s first piano-trio album in seven years—a fact that surprised me when I looked it up, since, in Hersch’s 40-year recording career, nearly half of his albums up until then were trio dates, befitting of his classic-jazz style and repertoire. The six albums between 2017’s Live in Europe (with bassist John Hébert and drummer Eric McPherson) and his latest (with Drew Gress and Joey Baron) have been an eclectic bunch—solos, duets, a... Read More

Canadian saxophonist Cory Weeds first came to my attention as the reissue producer of a remarkable Charles Tolliver Music Inc double LP, Live at the Captain's Cabin (Reel to Real RTRLP 014) a limited to 500 edition released for last Fall's Record Store Day "Black Friday".Cohearent Audio's Kevin Gray had mastered several Reel to Real releases for Weeds (but for an "s" that could sound transactional) but until his granddaughter Amber... Read More

Nature, ecology and jazz have been getting together lately. Last year there was Wadada Leo Smith and Amina Claudine Myer's Central Park's Mosaics of Reservoir, Lake, Paths and Gardens and this year, David Murray Quartet's Birdly Serenade and now Chris Cheek's leisurely jazz paddle down a deceptively lazy river with the scene set by a vintage, iconic Edward S. Curtis print on the jacket front and a desert trek Curtis photo on the rear. What does it... Read More

It’s only taken 50 years for David Murray to record an album for a major label, but here it is: Birdly Serenade, laid down with his current (and sizzling) quartet, on Impulse, which is owned by Universal Music Group—one of the “Big Three,” along with Sony and Warner, and thus about as major as they come.Murray, born and raised in Oakland, was just 20 when, in 1975, he left Pomona College for New York and made an instant splash on the downtown loft scene, the... Read More

Recording a big band album live to analog tape in the studio Frank Sinatra had Bill Putnam build for him when he started Reprise Records, then Western Recorders, now East/West, engineered by Steve Genewick--long time Al Schmitt associate (etc.)--and mixed to 1/2" tape at 30 IPS on an Ampex ATR-100 at The Village Studios and then lacquer cut by Kevin Gray at Cohearent Audio from that tape two months later is no guarantee of great sound. Well, come on, unless... Read More

Music review of the 2025 Craft Recordings reissue of the introspective Bill Evans Trio album Moon Beams with Paul Motian and Chuck Israels. Motian and the late Scott LaFaro were in the famous trio that recorded with Riverside just before Moon Beams was recorded.

As part of their OJC Series, this brand new Craft Recordings reissue of Moon Beams is pressed at RTI on 180-gram vinyl with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio.  

Habana, the late trumpeter Roy Hargrove's previous release with his hard bop- Afro-Cuban group Crisol (crucible/melting pot) won a 1998 GRAMMY for Best Latin Jazz Performance. Somehow this follow-up recorded April, 1998 was never released, but it's not because there's something wrong with it or it's disappointing in any way, or it doesn't sound good or whatever. The album was finally released October 18th, 2024 a few days after what would have... Read More

Having owned a couple of copies of Mulligan Meets Monk, I’ve always felt that the stereo record magnified the differences between these two musicians by featuring them on different channels and casting too much of a spotlight on Mulligan’s sax. As good as those copies sound, including the 1980’s OJC LP and the AP 45 from the ‘90s, I had little experience with the mono recording that was made in the studio at the same time, except for a Fantasy SACD. So, when I heard... Read More