Music Reviews: Vinyl

Wishbone Ash’s Argus was made in rock-and-roll’s golden age; when labels pelted fistfuls of money at any band with guitars, bass, drums, someone who could shake a tambourine, and someone who could sing harmony. This is evidenced by a minor-gods-canon band like Wishbone Ash getting the esteemed honor of a Hipgnosis cover. Assistant Bruce Atkins was dressed up in a costume borrowed from The Devils and posed over the Verdon Gorge in France. When folding out the jacket,... Read More

Deutsche Grammophon rounds off its new cycle of major works by the Russian composer from Andris Nelsons and the Boston Symphony with another essential purchase for lovers of this composer’s music and dedicated audiophiles.  Digital done right.  

Our reissue story starts May 27th 2015 at Bernie Grundman mastering, Gower Avenue, Hollywood, CA. Chad Kassem is there, Contemporary Records founder Lester Koenig's son John is there, I am there. Most importantly the master tape of Sonny Rollins' Way Out West is there.

Where, in 1980, was there room for The Soft Boys? The U.S. charts were distended with the dregs of Disco while England was being detained by the onset of synthpop. No one particularly wanted to know about a band of Cambridge smarties who wrote songs that sounded as if they’d be drawn from a tincture of Yves Tanguy.Still, they had their admirers. And when Robyn Hitchcock leant starboard towards a solo career, most of them disembarked with him. That left two albums and... Read More

The Buckingham-Nicks, Fleetwood Mac hook-up post the Bob Welch exit created a monster rock group but it took more than a year following the July, 1975 release for Fleetwood Mac to reach No. 1. Fans of the original blues group Fleetwood Mac were mostly disenchanted if not disgusted (my wife), but this group's success cannot be denied. It gave 1975 rockers what they wanted and at this point why it did is a waste of time to reiterate.If you think this release is a... Read More

First thought upon seeing Grace Bergere's cover portrait was "punk Ida Lupino" but that's not a good way to start a review since how many readers today know Ida Lupino? So let's just say a young woman with an attitude. A dark attitude. And a genuine one. She doesn't look like a poseur. It goes deep. That's before opening and playing the record and reading the lyrics.It's difficult enough in 2025 to pull off a rock record that... Read More

Unlike most "completest" or multi-disc sets containing every snippet of recorded tape that you might listen to once out of curiosity and never again revisit, this thoughtfully curated set covering just Nick Drake's debut album is one that bears repeated listening. It's been on the turntable almost constantly since it arrived shortly after publishing the review of Brad Mehldau's Elliott Smith tribute Ride Into the Sun in which the pianist... Read More

The Doors: a group that has more compilations than actual studio releases. Longtime fans will whinge at nauseam when an anniversary passes and the major label earwigs grace record store shelves with another ‘ultimate’ or ‘best of’ collection. Regardless of the oversaturation of releases such as those, it engrains the self-marketed ‘Band from Venice’ in the public’s consciousness, or subjects novices to the Lizard King ethos. Their discography is even more complex when... Read More

1975 was a weird year for pop music. The Captain and Tennille had the best-selling single of the year with “Love Will Keep Us Together.” Meanwhile, Neil Young was parked in the ditch, wasted at the wake on Tonight’s The Night. Just over the guardrail, Bob Dylan returned from his own surreal excursions. Queen released the biggest song of their career. While the Carpenters were snuggled up in their parent-pleasing inoffensive confections, Led Zeppelin dealt blockbuster... Read More

One needn't be an Elliott Smith fan or even know who he was to appreciate Brad Mehldau's rich musical examination of emotional light and darkness using the late singer/songwriter's creativity as a guide to understanding "visionary depressives" generally, and specifically Smith and his often sad and dark, but simultaneously uplifting music. Smith fans are legion, intense, and like Nick Drake, another "visionary depressive", even in... Read More

Amina Claudine Myers should be a lot more famous than she is. A composer-pianist-organist-singer of spiritual depth and grand virtuosity, she has been recording, as a leader or accompanist, for nearly a half century, but mainly for small labels and as a member of an alliance—the avant-garde Association for the Advancement of Creative Musicians (AACM), which also spawned the Art Ensemble of Chicago, Henry Threadgill, Anthony Braxton, and many others—that didn’t (and... Read More

In the heart of the Fishtown neighborhood of Philadelphia, just under the Market Street Elevated (‘the el’ as the locals call it), is a mural of text and visual interpretations of songs from a native’s album. That mural alone cements Kurt Vile's place within the city’s culture. Originally from the borough of Lansdowne, Kurt’s career progressed from creating low-fidelity bedroom recordings to the slickest-sounding nuggets from his home studio. Vile’s twist on... Read More

With superstar pianist Yuja Wang on top form, and conductor Andris Nelsons and the Boston Symphony Orchestra completing their Shostakovich cycle (available on CD individually or in a box), this vinyl release of the composer’s exciting, very accessible piano concertos rivals the best of the Original Source Series in its vivid sonics.  Proving that digital can be done right, is this a new Audiophile Classic?

Few music-related fair use debacles quite measure up to the “Frippocalypse” – a years-long period in which Robert Fripp’s team copyright-struck every King Crimson album review, meme, anything, posted to YouTube. I felt like I was walking on eggshells every time I reviewed a King Crimson album.Some of my peers flew closer to the sun; losing entire YouTube channels over posting excerpts from the Brondesbury Tapes.In the context of The Cheerful Insanity of Giles, Giles... Read More

Mary Halvorson is the jazz guitarist of the moment. The just-published Downbeat Critics’ Poll ranks her as #1 Guitarist of the Year, her Amaryllis Sextet as #1 Group of the Year, and Halvorson herself as #2 Artist of the Year (outflanked just barely by tenor saxophonist James Brandon Lewis).As if to sharpen the point, her new album—About Ghosts, her 14th as a leader since emerging as a wildly adventurous 27-year-old in 2008, her 4th release on the Nonesuch label... Read More

I think I was 18 or 19 years old the first time I heard Title Fight play. I remember standing in the hot summer Texas sun at the Mohawk on Red River street waiting for Converge to play, and all of a sudden this group of unassuming kids in loose-fit denim from Kingston, PA took the stage. They were followed quickly by a cohort of 20 or so teenagers that took over the crowd with the kind of energy that made damn sure everyone knew that we were watching the greatest punk... Read More

Compilations tend to carry a certain stigma: contractual obligations, a stopgap between releases, executed without consent, or labels ringing every last dollar from a catalog. Some are subject to scrutiny regarding imbalanced tracklists and why certain songs were included or excluded. Regardless of intent, it provides curious fans with an ‘all-in-one’ primer, or sways the diehards with a dull obligation because of one exclusive track. Beyond the generalized view where... Read More