Music Reviews: Other

Lori Lieberman has released albums aimed at the so-called audiophile market for almost 30 years, but this one is the first (since her days on Capitol) with full analog bonafides. That's no guarantee of great sounding results, anymore than her previous digitally recorded ones did not have superb sound, because they did—2022's American Songbook themed Truly for instance. Here she's also gone "live in the studio", which adds considerable risk.... Read More

A musical and sonic spectacular, k.d. lang's free-flowing, daring explorations of unrequited love/lust and liberation sound today as daringly personal, sometimes painful and always fresh as they did in 1992 when Ingénue was originally released to enthusiastic reviews, commercial success and multiple Grammy nominations and the well-deserved award for Best Female Pop Vocal Performance. Freed from her "country roots" on earlier records, Ingénue was a mix... Read More

Reading the press release while listening to this effervescent, ornately orchestrated instantly likable set of new, yet nostalgic tunes, it wasn't surprising to discover that modern day "crooner" L.C. Franke's musical roots at least for this record were anchored in his grandmother Elsie's "dusty" record collection (crooner in quotes because his singing style is more straightforward, though the tunes and arrangements could be used by... Read More

I can't better describe this than the annotation's second sentence, but might as well begin with the first: "The celebration of YULE in Northern Europe harks back to a transition from ancient Pagan Germanic culture to the more formal spirituality of the newer Christian rite. Christmas, as we mostly now call it, gave us hymns, processions and chants, and in between, silence in church. Yule meant a vibrant pre-Christian secularity, with feasting and... Read More

The advent of the phonograph allowed for the dissemination of a wide variety of "Minority Enthusiasm" genres; and not only Spoken Word and Comedy offerings. Folk music and folk songs that would appeal to new arrivals to America were an important part of the business. Cantor Pierre Pinchik's 1928 cantillation, in Aramaic, of a text from the Kabbalah might not have been a huge success in its original pressing. But, as Pinchik's fame spread, the 1928 78rpm was reissued, in 1938 and 1948. Pinchik's vocal virtuosity and his instincts for dramatic presentation revolutionized the art form.

Today, it’s rare to discover music without any prior knowledge of it. We usually have some vague sense of the genre, sound, or artist. But, I had no idea what to expect from Joshua Moshier before the needle hit his debut album’s grooves. It quickly became clear to me that Moshier is an exceptionally talented musician. And I further learned that he’s an Emmy-nominated composer, songwriter, and pianist who has crafted music for series, films, interactive media, and the... Read More

First released in 2013 on CD and limited edition 45rpm "bundle" (with multiple festive goodies), Quality Street has been reissued in 2023 on festive red vinyl and includes a bonus 45rpm single ("Let It Snow"/"Winter Wonderland") with Lowe backed by Los Straightjackets. This one's limited too, to 1000 copies, 300 copies of which include a Nick Lowe 526 piece jigsaw puzzle box set. Oops! the limited edition red vinyl with goodies is... Read More

Since forming in 2003 the Avant-garde improvisational jazz trio Zen Widow has produced three albums for the Italian objet-a label. This is their fourth. Label founder Gianni Gebbia is the group's Bb soprano saxophonist. Matthew Goodheart plays piano as well as something called a transducer actuated gong. The percussionist who has a great deal to say on this record is Garth Powell. Yes, that Garth Powell, which is why upon hearing about this record I quipped... Read More

Often it's a cry for attention or money when a veteran jazz artist releases a Christmas album or one of Beatles covers. Brad Mehldau's latest, an album of the latter with Bowie's meloncholic "Life on Mars" serving as a sort of denouement (or encore, as this is a live album recorded at the Philharmonie de Paris), is neither of those. Mehldau, 52, has been covering rock music without apology almost from the beginning of his recording career. His... Read More

Every so often, the artist usually known as Dean Blunt emerges from his residence in Hackney, London to appear at an event—to prove his existence, to reassert his status as art music’s most shadowy figure of current importance. The latest appearance was a DJ set at Miami Art Basel in December, for a party hosted by NTS Radio and NFT conmen Bored Ape Yacht Club. What did the rich NFT bros’ money get them? A fogged up stage and a bored Dean Blunt blasting Sleep’s... Read More

In 2008 Thorens commissioned Analogue Productions to create a 3 LP package celebrating the company's 125th anniversary. The resulting limited edition set—with songs selected from titles that had either been produced by or licensed by Analogue Productions— quickly sold out and now fetches big dollars on Discogs. The least expensive copy listed as I write this is at $170.00. The top price paid was over $400. Now Analogue Productions has repurposed the package,... Read More

Louis Armstrong, of all popular well-loved musicians of good cheer, never did release a Christmas album—until this one was recently cobbled together by some smart folks at Verve/UMe. How smart? It's Top 10 across multiple November 26th Billboard charts. This is kind of wild but: it came in at No. 9 on the Top Holiday Albums chart and launches in the top 10 on Jazz Albums (No. 4), Traditional Jazz Albums (No. 4), Top Album Sales (No. 7), Top Current Album Sales... Read More

By the time “Rastaman Vibration” was released in 1976, Bob Marley had already released seven albums, the first four of which had limited distribution outside of Jamaica. “Catch a Fire,” his first for Island, released in 1973 with the famous Zippo lighter flip up jacket, was a big deal in American reggae-loving outposts like Boston, where the 1972 low budget film “The Harder They Come” starring Jimmy Cliff had been a major sensation running throughout the summer of... Read More

It's not too late to order this fun record for your young children or grandchildren. The late Andrew Gold produced, performed, engineered and mixed this 1996 children's Halloween album. It's not scary and not meant to be.

(This review originally appeared in Issue 7, Spring 1996.)Even if this fascinating, eclectic set had nothing whatsoever to do with The Grateful Dead, in fact even if you’re not a “Deadhead” it’s worth picking up both for the mix of music and the outstanding sound from Paul Stubblebine, not to mention R. Crumb’s cover art. If you are a Grateful Dead fan, you don’t want to be without this compilation.Long time Dead writer Blair Jackson twists these seemingly disparate... Read More