Patrick Leonard's new "prog rock" extravaganza It All Comes Down to Mood, released at the end of August is now on sale at www.acousticsounds.com, www.elusivedisc.com and at www.musicdirect.com. It's a double LP 180g vinyl set with cover art by Storm, which did DSOTM all those years ago, and features Tony Levin and John Patituchi on bass, plus Martin Barre, Ian Anderson many other greats and of course PL himself is a multi-instrumental keyboard wiz.... Read More

An exclusive transatlantic video discussion including an essential new historical video covering the original DGG production of Herbert Von Karajan and the BPO's Bruckner Symphony cycle, hosted by Deutsche Gramophon's Johannes Gleim with Emil Berliner Studios' Tonmeister, mastering engineer and Managing Director Rainer Maillard, cutting engineer Sidney Meyer, Tracking Angle's contributing writer Mark Ward and editor Michael Fremer. This box set is... Read More

Our friend Charles Kirmuss appeared on The Audiophile Junkie YouTube channel recently and claimed the superiority of tangential tracking arms without explaining the negatives. There are positives and negatives to everything in this hobby so J.R. and I asked to make a joint guest appearance to "cavitate" the situation.The video is below. The comments so far are interesting. My favorite is this one: "Excellent information. Very enjoyable. I sent this... Read More

Tracking Angle west coast correspondent Michael Trochalakis recently visited Levi Seitz's Seattle based Black Belt Mastering where the new Because Sound Matters Linkin Park "One Step" released were cut. Olivia Rodrigo's "Sour" and Beyonce's "Renaissance" are among the many other well regarded vinyl issues and reissues Seitz cut at Black Belt. Seitz gives Michael a tour of the facility and discusses his three lathes, then... Read More

Musician, recording artist, label owner, Gillian Welch partner in life and in the studio, and all around analog aficionado Dave Rawlings invited me to visit his Woodland recording Studio during last June's Making Vinyl where we finally sat down face to face to talk about the things we both know and love. This meeting—something we both talked about doing for almost five years now—was worth the wait as you'll see and hear. Over the past almost half-decade... Read More

I figured it was a good time to catch up with Steve Westman and his community. I wanted to check the reaction. It was mostly good. Read More

The plan was an on-stage interview with Patrick Leonard, whose new double LP album "It's All Comes Down To Mood" is due end of July. Patrick produced all of Madonna's early Warner Brothers Records, Amused to Death for Roger Waters, two of the final three Leonard Cohen records (he wrote or co-wrote songs on all three), as well as Elton John's Songs From the West Coast. There's more but that's enough! I wrote an essay published in the... Read More

Every properly overseen vinyl record reissue series should have a gatekeeper/curator like Blue Note's Tone Poet series Joe Harley. Craft Recordings has brought on board for its new Bluesville series, Scott Billington, clearly the best possible individual for the job. Scott is a Grammy winning producer, musician, writer and record executive who's produced more than 150 records, even playing on a few. He's produced records by, among others, Charlie Rich,... Read More

(I conducted this interview with the great Steve Albini way back in 1993, before MP3, before the iPod, back when all but a few outspoken critics like Albini, Neil Young and a few others had anything negative to say about the digital recording revolution. Albini died today at age 61 from a heart attack at his Electrical Audio studio in Chicago. It's fascinating to read Albini's thoughts from back then today. He was right on target then and now, but of course... Read More

I once had an Uncle Louis, who as far as I know, I’d only met as an infant. He and my dad had a complicated relationship and, unfortunately, over the years they drifted apart. Louis died unexpectedly sometime in the 1990s; I don’t think my father ever made peace with the estrangement. Though I have no personal memory of Uncle Louis, I do have some interesting familial folklore.My dad used to tell a story about Louis moving from NJ to Las Vegas during the late... Read More

Had it not been for Paul McCartney’s drug bust, all four Beatles might have been together in the studio for the first time since the group broke up, recording engineer Bill Schnee recounts in this interview, referring to his time recording Ringo the Beatles drummer’s third solo album and first rocker following albums of standards (Sentimental Journey) and C&W (Beaucoups of Blues).If you’re familiar with Ringo you know it’s a spectacularly large, generous sounding... Read More

Mastering engineer Chris Bellman has an impressive catalog of records he's mastered over the decades working at Bernie Grundman Mastering in Hollywood California. Bellman regularly cuts records for Neil Young among many other recording greats. Bellman talks about cutting Tom Petty's "Wildflowers" from analog tape for the first time and discusses with me general cutting issues such as sibilants and how he deals with them. The two discuss the great... Read More

(This Interview originally appeared in Volume 3 #1, issue 11, Spring 1997 of The Tracking Angle magazine).The goodies were stacked on a big table in the corner of the stars' dressing room: an industrial size sack of M&M Peanuts, big bags of Herr's tortilla and potato chips, a jar of Pace brand Thick and Chunky Salsa, fresh fruit, a ten pack of Kellogg's cereals, a plate of muffins, a cheese, tomato and deli platter, jars of Hellman's mayonnaise... Read More

The holidays are over and a new year has begun. As we kick off another year, music aficionados turn their attention to the first big event of the new year: the Grammy awards which take place on February 4th. Awards are important, it’s an appropriate opportunity to give accolades to all of the nominees, whether they win, or not. It’s also an exciting chance to cheer on those who were associated with your favorite musical projects of the past year. Hey, if you’re not a... Read More

It’s all fine and good to engage in passionate discourse about the importance of vinyl records and how best to preserve that believed golden format of recorded audio. But, that noble and idyllic vision has a common sense snag: what do you do with all that stuff? Recall the times you’ve uncomfortably crouched before a cardboard box of records at a garage sale, think about the moldy Reader’s Digest box sets you’ve avoided at your favorite charity shop. For just a... Read More