Daryl Wilson Debuts the Autobiography Loudspeaker at JS Audio
Jacob Heilbrunn reports
For several decades, JS Audio has been a leading purveyor of stereo equipment in the Washington, DC area. The JS refers to the late Joe Stromick, who originally founded the store and was an impassioned and unforgettable figure. It is now owned and run by an intrepid band of brothers—David, Steven and Jason Kennedy—who regularly hold events featuring new gear. This Saturday they invited their customers to a new one that held a special promise.
It featured Daryl Wilson, the CEO of Wilson Audio, together with several of his colleagues, including Peter McGrath, Bill Peugh, David Ellington and Patrick Butler. Michael Fremer, the editor of this website, also flew from his personal audio Valhalla in New Jersey to Washington to attend the event. The occasion was, of course, the public launch of Wilson’s new flagship loudspeaker, Autobiography.
Like Fremer, I had flown in April to Provo, Utah to see and hear the new loudspeaker with numerous other dealers and audio writers. But under the somewhat hectic conditions, I had trouble getting a handle on the loudspeaker during its brief audition in Provo. This time I did not. Together with the other auditioners—a maximum of eight at a time for 90-minute listening sessions—I was able to zero in on the attributes of the Autobiography. One of the remarkable attributes of the session I attended is that there was zero noise—from the audience, that is. It was quieter than a symphony concert—no coughing, no IPhones beeping, no idle chit-chat. Instead, a bunch of audiophiles listening avidly, eagerly, intently.
During the sessions—I only attended one but the abundant interest in the loudspeaker meant that they ran almost continuously from 12 to 9 p.m.—Daryl Wilson explained the genesis of the loudspeaker and his aspirations for it. He will be going on tour, speaking at other dealerships such as Innovative Audio in Manhattan, the Audio Salon in Santa Monica and Paragon Sight & Sound in Ann Arbor. He delivered a polished and convincing demo of the Autobiography, explaining the variety of hurdles that he had to overcome to bring it successfully to parturition. Above all, he sought to transport his audience upon a musical journey rather than simply blasting them into submission with a bunch of powerhouse recordings—Daryl's are refined selections included the great German singer Matthias Goerne performing Schubert.
For all its dynamic prowess—evidenced upon a Wynton Marsalis recording, where the trumpet blasts emanated with the force of Gabriel—I was most favorably impressed by the purity of the treble of the Autobiography. The lack of grain and low noise floor combined to produce a jet-black background that permitted Goerne’s velvet thunder to emerge in its full glory. Here was what the British novelist E.M. Forster once referred to as “sublime noise” in Howard’s End.
I am myself keen to listen further to the Autobiography at JS Audio, which has invested in a pair and which it is happy to demo for interested listeners. As part of their outreach to a wider public, the Kennedy brothers also installed a stereo system this past week for the annual gala of the Phillips Collection, an art museum located in downtown Washington that contains many impressionist masterpieces, including Renoir’s “Luncheon of the Boating Party,” and that is trying to shake off its fusty past under the leadership of its new director, Jonathan P. Binstock. At both events—at JS Audio and the Phillips—there was much for any music lover to celebrate.
JS Audio's brothers Kennedy (Steven on the left, David on the right), with brother Jason in blue suit and the Wilson team in between
































