Acoustic Sounds
Lyra
By: Tracking Angle

March 27th, 2025

Category:

News

ERC Does Coltrane's "Lush Life"

true mono cut using mono cutter head, cut "master tape to lathe"

The Electric Recording Company announced today the "true mono" reissue of John Coltrane's Lush Life cut "tape to lathe" fitted with a mono cutter head. It's how they roll.

From the ERC press release:

John Coltrane’s “Lush Life”, originally released in 1961 by Prestige Records, is a remarkable snapshot of a transitional moment in the saxophonist’s career. Released over a year after Coltrane had signed to Impulse! Records and compiled from previously unreleased sessions recorded at Van Gelder Studio in Hackensack, New Jersey in 1957 and 1958, the album showcases Coltrane in both small group and trio settings, offering a rich blend of standards and modal exploration that foreshadows the revolutionary heights he would soon reach.

In the absence of a pianist during the initial recording session on August 16, 1957, a pared-down trio featuring Coltrane on tenor saxophone, Earl May on bass, and Art Taylor on drums cultivates a notably spacious and contemplative environment across the three tracks that comprise Side A. The reduced instrumentation creates an open framework in which Coltrane’s phrasing is given room to breathe, and the trio’s interplay is marked by restraint and subtlety. On selections such as the tender “Like Someone in Love” each note is allowed to fully resonate, resulting in performances that exude a quiet intimacy and introspective depth.

The title track and emotional centre of the album “Lush Life” receives a definitive 14-minute treatment with Donald Byrd (trumpet), Red Garland (piano), Paul Chambers (bass) and Louis Hayes (drums). The quintet’s take on this Billy Strayhorn standard is a slow-burning ballad that allows Coltrane to stretch out melodically and emotionally. It is among one of Coltrane’s most romantic and lyrical performances, demonstrating his gift for phrasing and storytelling.

Throughout the album, Coltrane plays with a sense of ease and purpose, reshaping familiar tunes through his signature harmonic inventiveness. His sound carries a distinct clarity offering a compelling glimpse into Coltrane’s evolving artistry, revealing not just his technical brilliance, but also his deep melodic sensitivity and introspective voice. It’s a portrait of a musician already reaching beyond the boundaries of tradition, guided by both emotion and vision.

Cut directly from the original dedicated mono analog master tapes, through our unique all valve 1965 Ortofon / Lyrec vinyl cutting system in True Mono*. No equalisation, compression or any other processing was added during the cutting process.

All sleeve artwork made by hand and authentically letter-pressed on a 1963 Heidelberg SB.

This edition of 345 copies is priced at £395.00 UK pounds. Order here.

*Where everything in the chain from the tape head, the tape pre-amplifier, the cutting amplifier and the dedicated mono cutter head is a single channel pathway: This early technology avoids phase issues (smearing of the sound) that is frequently encountered when cutting with todays “dual” or “pseudo” mono cutting systems.

Comments

  • 2025-03-27 11:42:08 PM

    Come on wrote:

    Well, just to name the high quality reissues, not the originals, the Japanese or the many CD quality based or digitally mastered vinyl releases… there’s the…

    old OJC AAA Mono DCC SH Mono AP 200g KG Mono AP 45RPM KG/SH Mono AP/Craft KG 180g Mono Craft One Step Mono

    ..and thanks god there’s now the ERC Mono, cut with a Mono cutter head, told to have less phase issues (but more distortion and less bandwidth) than a stereo cutter head. I wish there was a detailed comparison to all of the others (which all have their own tonality and quality level of depth, air and space) for 3-10 times the price…congratulations.

    Dorham‘s Quiet Kenny has about the same number and type of reissues…

    • 2025-03-28 05:34:34 AM

      bwb wrote:

      I have the DCC version, can't imagine it could sound much better.

      Interesting that just after midnight on 28 March there are still copies available when in the past these releases were sold out by the time an announcement like this appeared. Are we reaching saturation with all of these high $$ releases?

      • 2025-03-28 12:52:00 PM

        John Marks wrote:

        A friend of mine who devotes a lot of time selling collectable vinyl on eBay told me that upon the Inauguration of the once-again US President, it was like switching a switch: watcher counts went down and prices went down at least 20%. Collectable vinyl is a luxury and shall we say, "Consumer Confidence" is down. I am merely passing on one statement of fact, I am not starting a political argument. The proof of the pudding is that I put up on eBay a sealed Classic Records late-1990s (1999?) Cowboy Junkies "The Trinity Session." I was hoping for well over $50, and it went for $37. Asks have been as high as $89 or higher.

      • 2025-03-28 06:10:50 PM

        Michael Weintraub wrote:

        Frankly, it may just be because this not in the first, or even really the second tier of Coltrane's albums. I know they've already done a few of his records, but there are still 8-10 others that are better than this one, and from all stages of his career. If I'm dropping this kind of money, the music needs to be up to the same standard as the pressing. Not saying the music isn't good, but it's not one of his true classics.

  • 2025-03-27 11:45:51 PM

    John Marks wrote:

    Not to get totally nerdy in a Music Theory way, but: I have always regarded "Lush Life" as a singer's equivalent to climbing Mount Everest, without Oxygen.

    I think that Strayhorn's method of composition was entirely Instinctive: He just wrote down what seemed to him to be "right."

    But I (and I invite suggestions) cannot think of any other Great American Songbook song that is a tonally, for lack of a better phrase, "Spread Out."

    That song uses 11 of the 12 possible tones. So, while Schoenberg it perhaps is not, it still is dauntingly complex or nuanced. A7#11 indeed!