ZZ Top-Tres Hombres-45 RPM Vinyl Record
Lyra
Workingman's Dead Rhino High Fidelity
By: Tracking Angle

April 24th, 2026

Category:

News

Rhino High Fidelity Announces "Workingman's Dead" on Vinyl and R2R Tape

ever notice the fake smokestacks?

(April 24, 2026 - Los Angeles, CA) On June 14, 1970, the Grateful Dead released Workingman’s Dead, an album that was unlike anything they’d ever done, one that showed the world a new side of the Dead. It was clearly the same band as before, but now with a distinctly different sound and approach to the music, pivoting from psychedelic improvisation to folk-rock storytelling for the “everyman,” as the album’s title suggests. Today, Rhino High Fidelitypresents new audiophile editions of the album on reel-to-reel and vinyl, plus Mickey Hart’s 2023 Atmos mix, available on Blu-ray for the first time.

 Workingman’s Dead (Rhino High Fidelity) was cut from the original master tapes by Kevin Gray and pressed on 180-gram black vinyl at Optimal in Germany. It features glossy gatefold packaging with newly written liner notes by author and Grateful Dead historian David Gans. The album is limited to 5,000 individually numbered copies and available exclusively at Rhino.com and select Warner Music Group stores internationally.

 In the liner notes, Gans says the songs reflect a more direct, stripped-down approach, calling them “concise, countrified, and catchy as hell.” As bassist Phil Lesh recalled in his autobiography Searching for the Sound, the shift moved the Dead “from the mind-munching frenzy of a seven-headed fire-breathing dragon to the warmth and serenity of a choir of chanting cherubim.”

 Workingman’s Dead (Rhino High Fidelity R2R) was duplicated in real time from a 1:1 copy of the original flat analog master tape. The result is a master-quality listening experience that captures the full dynamics of the recording. The 15 i.p.s. half-track 1/4” tape is produced to the IEC equalization standard on premium RTM LPR90 tape stock and housed on a 10.5” metal reel. The Reel-to-Reel edition is limited to 300 copies worldwide and available exclusively at Rhino.com.

 In 2023, Grateful Dead drummer Mickey Hart created a new Dolby Atmos mix of Workingman’s Dead, revealing remarkable instrument separation and nuance in the album’s harmonies and arrangements. Hart’s immersive mix expands the sonic depth of the original recording while preserving its essential character. Hart’s new Atmos mix will be available on Dead.net and Rhino.com. Order now.

 While the Dead’s first three studio albums appealed to many, the group didn’t yet have the mass breakthrough that would make the entire world take notice of this band of misfits from the Bay Area. Workingman’s Dead changed all that. With eight perfect songs – like “Casey Jones” and “High Time” – the album solidified the Jerry Garcia-Robert Hunter songwriting tandem as one of the best and most important songwriting collaborations in music history. The album reached the Top Thirty and included the single “Uncle John’s Band,” which climbed to #69 on the Billboard Hot 100 singles chart.

 Garcia, Bob Weir, Ron “Pigpen” McKernan, Phil Lesh, Bill Kreutzmann, and Mickey Hart recorded the album in about 10 days at Pacific High Recording Studio in San Francisco with Bob Matthews and Betty Cantor – the band’s live-sound engineers – as producers.

 Rhino High Fidelity continues to tap into Warner Music’s vast catalog, introducing reissues of seminal albums across genres—from rock and pop to jazz, soul, and beyond. Each title pairs uncompromising audio with archival-grade packaging, honoring the album’s original intent in both sound and design. 

Comments

  • 2026-04-24 10:37:00 AM

    Tor J wrote:

    I really liked the Yes tape so an order for this one is sent. Looking forward to listen to it..

  • 2026-04-24 10:53:40 AM

    Jeff 'Glotz' Glotzer wrote:

    Dang it... why couldn't they have released this years ago?? Analog masters!? Sigh.

  • 2026-04-24 12:36:14 PM

    Tom wrote:

    I think Workingman’s and American Beauty have been well served with great vinyl reissues. However now we’re talking with the R2R reissue! My order is in.

  • 2026-04-24 10:33:16 PM

    Rob wrote:

    Releases like this one (plus the Yes Album) on R2R by Rhino make me dream about potentially getting into the format (it would also be amazing if Rhino were to release an R2R of American Beauty, though it's already been issued on vinyl, so not sure that would henceforth be offered). But aside from the obviously very high cost, the repertoire for R2R is so limited with new releases (and the quality/availability apparently highly variable with releases from back in the day selling on ebay or elsewhere) that it just seems masochistic to invest in a player- for the five or six titles out there that would currently interest me (e.g., adding in Scheherazade by Reiner, Rastaman Vibration, maybe one or two others). Acoustic Sounds only lists 76 available titles on their site! I'm not knocking this option for people who already have a good R2R setup, but the cost of entry seems so high for such a limited library of titles...

    • 2026-04-25 01:21:41 PM

      PeterPani wrote:

      An used Revox A77 refurbished will cost $2000. And that’s it. After 15 years you will need a new playhead ($150 and this will perform better than a $10000-MC cartridge). There are many tapes out there, when you jump in. I own around 1000 from Keith Jarrett’s Koln Concert up to Beatles Sergeant Pepper’s. If somebody is interested in that niche of our hobby, he will find the community of trustee playheads and will learn, how to avoid all the fake digital tape copies that are flooding the tape market.

      • 2026-04-28 11:03:29 PM

        Rob wrote:

        Posted in wrong place, made response inquiry to you in thread below.

  • 2026-04-25 06:18:26 AM

    Anders Sørensen Uth wrote:

    The Mofi 2x45 is still in print and I don’t believe it can be bettered. Perhaps by the r2r but that’s a different matter. This and American Beauty by Mofi are simply my two best sounding records (out of a thousand).

    Anyway I find it much more rewarding these days two put on a Dead concert. The releases of these by Rhino are great too. Most high quality releases i buy end up disappointing me as my setup is never able to track them without a bit of crackly insequrity here and there, but for some reason Rhinos Dead concerts almost always play back close to perfect. The same goes for the aforementioned Mofis.

    • 2026-04-28 11:01:22 PM

      Rob wrote:

      Yes, the official "bootleg" LP releases - such as FW '69 shows, Europe '72 releases, Dick's Picks shows from the early 70s, & now the June '76 run last year and this year have had excellent quality control and sound overall- and very quiet vinyl IME.

  • 2026-04-28 10:58:36 PM

    Rob wrote:

    Peter, maybe I should look into it. Technically I could afford it- though the new releases are still obviously a lot- if, say, I could get a library of 50-100 great titles, it might be worth it to me- my listening in the long run tends to be something like 25-30% orchestral classical (most of all Russian and French from past 150 years); 25-30% classic rock; 10% Grateful Dead; 10% jazz; 10% soundtracks; 10% world music; 5% R & B/blues/etc. Does it sound like at least 50-100 titles in those domains would be reasonably available in great condition on the secondary market? I've looked a little on ebay in the past at used or NOS R&Rs and it looks like a real crap shoot there availability and condition-wise.

    • 2026-04-29 02:42:21 AM

      PeterPani wrote:

      I am sure, you found already the obvious outlets for 15 ips tapes: Audionautes, Hemiolia, Horch/Revox, Tapeproject and AP. On ebay there (esp. in classic) are still plenty of near mint 7.5ips tapes. The thing is: when you start buying you will learn (and make many mistakes - that is part of the fun in this niche hobby) and get in contact with dealers. You will get offers from all over the world with time. Somebody will want to sell you a direct copy of a live performance of one of your beloved bands. Some of them are real, other digital copies. My last big catch (together with a friend o mine) was the auction won on an US auction site of Beatles 15 ips Mono Tapes for King Records USA from 1967: Revolver, Rubber Soul and Sgt. Peppers for in sum $3800. Between each song the next song is told in spoken words. And the sonic quality of this tapes is not to beat. Yes, it is a very very expensive hobby. Only, if you have spare money you should go into it. The fascinating thing is, you get a tape from somewhere, put it on the spindle (e.g. Bowie live 1984 in a broken cartoon) and - hell, you are there (and nowhere to found on vinyl). Or, I got a reel from a Mexican radio station of Barbra Streisand's Yentl (15ips, Dolby A), put it on my Revox A 700 and all three in the room had a once-in-a-life-time experience listening to this voice in all colours and emotions.

      • 2026-05-03 11:44:06 PM

        Rob wrote:

        You've got me thinking about it- I do have a high-end turntable/tonearm/new cartridge rig (recently bought at substantial discount), so while I'm sure that tape could ultimately exceed it, it may be that the cost of equipment and tapes to substantially exceed it would be a high initial price of entry/high ongoing cost for me (I don't expect any “great deals” there). Also I fear taking on another audio obsession. Possibly a DS Audio setup would be the answer/compromise? Last year I heard a DS Audio setup up locally at a dealer from whom I’ve bought gear, whose demo system is similar to my setup (but a tier or so up from it). I was able to switch back and forth between equivalent optical and moving coil setups. I'd been hearing about DS Audio offering more of a "master tape" sound- was thinking of switching over from moving coil if I preferred it. I did prefer it on classical recordings, but for jazz, rock, world and other genres an equivalent moving-coil cartridge/phono preamp won out for me by a bit on presence, particularly timbral qualities. The DS approach sounded just a bit more "digital" to me (though it's not digital technology, I know). The vinyl playback was quieter, but IMO not by that much (maybe a quarter to a third less overall to my ears). There was more detail, but it didn't strike me as a huge difference- though the greater detail and quieter nature made the difference for me on classical lps. That being said, I didn’t hear it long enough to form an entirely solid impression- just that overall I should stick with a moving coil setup for now. Certainly it didn’t sound anything like a slam-dunk to me in either direction. It would be tempting to think that for an ultimately substantially lower cost and less hassle I might be able to set up a second rig with a DS cartridge and processor to get a fair measure of that "master tape sound," but my sense is that an optical cartridge/vinyl approach would ultimately be a lot closer to moving coil/vinyl playback sonically than to good or great actual reel-to-reel (which I’ve only heard briefly in the past). Any thoughts on that, though? Maybe I could satisfy part of that itch w/ an optical cartridge approach for classical titles (about a quarter to third of my listening) and certain other tiles...

        • 2026-05-06 11:54:49 AM

          PeterPani wrote:

          As said, the entrance into tape is cheap. For $2500 you get the machine and it will beat a DS any time. The expensive part is the music itself. Because it is expensive, I buy less music. But I got thousands of vinyl records anyway. Go to Dave Denyer YouTube and watch his comparison between the vinyl and tape of the Workingsman‘s Dead.

          • 2026-05-08 01:40:22 AM

            Rob wrote:

            Good to get that perspective. While I don't like Workingman's enough as a Dead album to get it, I did see Denyer's video on the comparison between formats, and it was illuminating. Now, if American Beauty comes out on R2R, I will buy that in a moment if/when I'd get into R2R. I also bookmarked a bunch of Discogs listings in the classical, rock, and jazz genres, am thinking about grabbing a few of them.

  • 2026-05-09 06:02:01 AM

    Tor J wrote:

    I don't know what happened here but I ordered the tape the same day it came out, never heard anything so I sent them several requests for status but didn't get any sensible answers that told me anything. Now I've given up on them so they'll send me my money back and no tape. What they come up with later on tape doesn't matter, I've given up on Rhino so I'll just have to enjoy the Yes tape that for some strange reason they managed to send me.