In Part 2 of this look at Giulini's legendary recordings of the late symphonies of Anton Bruckner, we review Symphonies 8 and 9, and talk with Rainer Maillard at Emil Berliner Studios about what made the original recordings so successful (even though early digital), and how he went about freshening up the original masters to create these new vinyl reissues (which include the first ever vinyl release for the 9th Symphony). You can read Part 1 here.

Carlo Maria Giulini is one of those conductors whose discography yields constant treasure, from his early Philharmonia recordings on EMI to his always surprising DG legacy with American orchestras like the Chicago Symphony and the Los Angeles Philharmonic.  A highlight of his later discography were the three Bruckner symphonies he recorded with the Vienna Philharmonic Orchestra in the fabled Musikverein. In the first of two articles we talk about what made conductor and composer so unique in their own fields and time, and review this new remastering from the same team at Emil Berliner Studios responsible for the highly successful Original Source Series of vinyl reissues - this time working from digital master tapes. Part 2 includes an extensive interview with Rainer Maillard about how the original sessions were recorded, and how he went about improving the sound for this landmark reissue.

There was something comforting about espying the large black banner with white lettering proudly waving “Innovative Audio” on Manhattan’s East 58th street, just down the block from the big boys of high end retail like Bergdorf Goodman. At a moment when hifi stores can seem like an endangered species, Innovative, as it’s known, represents a welcome success story. Run by audio veteran Elliot Fishkin, its elegantly spartan showrooms can be quickly reached by taking an... Read More

Directly following Munich High End 2024 I drove with a friend to Switzerland and the next day attended along with some of Hi Fiction's international distributors a classical music concert of music by Dietrich Buxtehude performed by a quartet at a small, ancient church hosted by HiFiction's Micha Huber. It was a pleasant respite from the four days of show craziness!The next day at the Turbenthal factory, the company introduced its new Magnifier moving coil... Read More

Last winter I was asked by the High End Society, organizers of the High End Munich show to assemble and moderate a panel discussion revolving around vinyl playback. We agreed on the topic "Has Vinyl Playback Technology Gone As Far As It Can Possibly Go?" and I got to choose the participants, all of whom agreed to take part. In the photo above, (L-R): Ortofon's Chief Officer of Acoustics and Technology, Leif Johanssen, WAM Engineering / WallyTools... Read More

In Part 3 of this special Memorial Day weekend celebration of Benjamin Britten's timeless anti-war statement, we tell the story of how Decca revisited the master tapes and used the latest technology to bring this historic recording back to life for a new generation of listeners on vinyl and CD/SACD.

In Part 2 of this special Memorial Day weekend celebration of Benjamin Britten's timeless anti-war statement, we tell the story of the Decca sessions - led by producer John Culshaw and engineer Kenneth Wilkinson - which created one of the acknowledged classics of the gramophone.

By Sunday most everyone is beat to a pulp and ready for the show to be over but go on it must! For those covering it there's never enough time. As I began assembling day four's videos I realized I'd missed some key ones that should have been posted on days one, two and three, so in addition to what I managed to get on day four, you'll find some earlier coverage. This one begins on the show floor with Audio Research's Dave Gordon who runs us... Read More

From the moment it was released in 1963, Decca's recording of the War Requiem with the composer conducting was hailed as a supreme achievement of the gramophone. It sold over 200,000 copies in a few months, and is universally acknowledged as a classic. Marking Memorial Day weekend, we tell the story of its composition, recording, and assess the new vinyl and CD/SACD remasterings.

Day Three included two breaks in the normal convention coverage flow: first in the A.M. I moderated a seminar titled "Has Vinyl Playback Technology Gone About As Far As It Can Go?" with participants Mark Dohmann (Dohmann Audio), Craig Milnes (Wilson-Benesch), Leif Johannsen (Ortofon) and J.R. Boisclair (WallyTools/WAM Engineering). All over the past decade have advance the art and science of vinyl playback, so their take on the question was interesting and... Read More

Day two's coverage begins and ends with visits to the main floor mayhem where you can find newly minted dreamers as well as veterans who do well selling accessories, records, inner and outer sleeves, etc.I stopped by Rega, Thorens, where the finished edition of its big turntable was on both static and active display, Acoustic Signature, which showed a new Tango Apex NEO phono preamp and a new €50,000 TA 10000 NEO tonearm. The 50K tonearm price point has become a... Read More

LOS ANGELES — Rhino High Fidelity (Rhino Hi-Fi) returns with the latest additions to its acclaimed limited-edition, high-end vinyl reissues. Black Sabbath’s Self-Titled (1970) debut and Devo’s Freedom Of Choice (1980) are available today exclusively at Rhino.com and internationally at select WMG stores. Each release is limited to 5,000 individually numbered copies priced at $39.98.

New product debuts abounded at High End Munich. I was trying to cover products in the analog domain—turntables, cartridges and phono preamps—and found many each day, but while I was at it I came upon many other new and exciting products you'll see in this day one coverage. All prices are approximate. The day started with a curious coupling of Technics and Lamborghini. It seemed that Lamborghini wants some vinyl playback caché and Technics wants some luxury to rub... Read More

"Vertere's new high-end tonearm is designated the SG-II PTA, as it looks—at a brief glance—similar to the SG-1 PTA tonearms. However, looks can be deceiving, as the SG-II only shares three parts with its junior siblings: the fine tracking force weight, the lift lower mechanism, and the silicon nitride triple bearing assembly. The SG-II-PTA HB will sell for £13500, €16998, and $16995. It will be available from July.