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Johnny Cash

Johnny Cash With His Hot and Blue Guitar

Music

Sound

Johnny Cash with his Hot and Blue Guitar INTERVENTION RECORDS

Label: Sun/Intervention

Produced By: Sam Phillips

Lacquers Cut By: Kevin Gray at Cohearent

By: Michael Fremer

March 3rd, 2026

Format:

Vinyl

Restored Original Tape Brings Cash To Your 'Table

you're as in Sam's Sun studio on this record as you'll ever be on any—and why would you not want to be?

Johnny Cash's recording career begins here in Sam Phillips' Sun Studios on this record originally released October, 1957 and ends with his American Recordings series of six albums produced by Rick Rubin between 1994 and 2010. This one featuring "I Walk the Line" and "Folsom Prison Blues" and the Rubin produced albums, are essential. In between were recordings and performances of varying quality on Columbia and Mercury. If you're only going to have one, this would be it.

The restored tape's sound in a word is "tactile". Every seemingly simple note guitarist Luther Perkins struck is both singular and monumental in timing and touch. The kiss of slapback echo Sam Phillips put behind Cash's voice, which annotator Colin Escott describes as a "halo" and as "the richness of a concert hall offset by the sibilance and slight distortion of a honky tonk PA system" has been perfectly capture and delivered by Kevin Gray's cut. And of course Cash's voice in front of the echo effect has a staggering immediacy that will keep you seated and tuned in.

Add an outstanding Stoughton Printing jacket an and outstanding Gotta Groove 45rpm 180g pressing you have a fully restored mid '50s artifact that with proper care will endure for at least another century.

Great records are often described as "time machines". This is one that belongs in every collection of American music.

Music Specifications

Catalog No: IR-039

Pressing Plant: Gotta Groove

Speed/RPM: 45

Weight: 180 grams

Size: 12"

Channels: Mono

Source: original master tapes

Presentation: Single LP

Comments

  • 2026-03-03 03:26:48 PM

    Jeff 'Glotz' Glotzer wrote:

    Killer!! Er, the Man in Black! Thanks for this...

  • 2026-03-03 07:49:35 PM

    Michael Zlotnicki wrote:

    I have a Kevin Gray cut from 2016 on the Sundazed label. Did you compare to it ?

    • 2026-03-04 07:13:16 PM

      Michael Fremer wrote:

      I did not but I believe this tape had to be carefully restored to use for cutting so I’m not sure what Sundazed cut from. Do you know who cut it? Is there a WG/NRP on the lead out groove area?

  • 2026-03-04 07:35:52 AM

    MrRom92 wrote:

    I would love to hear this pressing. I have to say, if you don’t mind an unprompted mild critique, this is a surprisingly short and non-descriptive review for a reissue that had such a relatively unusual and extraordinary production. It’s devoid of the exact sort of details that audio nerds would drool over. There are so many overly verbose reviews here of records that, quite frankly, don’t need it. I would have definitely gone more into detail on all that went into this one!

    • 2026-03-04 12:43:37 PM

      Steve wrote:

      For more detail... https://www.vinylcut.net/review-johnny-cash-on-sun-records/

      • 2026-03-04 07:11:14 PM

        Michael Fremer wrote:

        There was no additional detail there, just a lot of hype. In fact what I wrote about the vocal capture presented more detail than all of that verbiage. The only thing there that I didn’t say because it seemed obvious and surely everyone reading this already knows it: these were all live takes.