Music Reviews: Acoustic

Ever since arriving on the U.K. scene, harmonica holder around neck, strumming a guitar, singing a "wind" song (about catching it not looking for answers blowing in it), and being described as "the Scottish Bob Dylan" Donovan has unfairly suffered a respect deficit among some Boomer-aged music fans. The famous clip from "Don't Look Back" where a half a decade younger Donovan plays and sings in a room full of Dylan fans has long been... Read More

Lori Lieberman has released albums aimed at the so-called audiophile market for almost 30 years, but this one is the first (since her days on Capitol) with full analog bonafides. That's no guarantee of great sounding results, anymore than her previous digitally recorded ones did not have superb sound, because they did—2022's American Songbook themed Truly for instance. Here she's also gone "live in the studio", which adds considerable risk.... Read More

This is a good time to be alive if you are a Neil Young fan. For years, Neil Young, an archivist like few others, has saved everything. And when I mean everything, take a gander at the Neil Young Archives. Here we find photographs, original lyric sheets, ephemera, videos, and all the music. The music quality, it goes without saying, is also presented in a similarly archival manner. For those who stream, you are treated to a digital source that is as close as you can... Read More

Rarely does regret sound so affirming, loss so found, emptiness so filling, distance so near and dated so au courant as do those dark sentiments on this collection of woe filled songs that though relentlessly morose, somehow bring to the listener peace and resolve.Though the Welch/Rawlings musical style remains fixed in mountain balladry and many of the themes are timeless, there's modernity too in "Hashtag"—an unrelentingly down road song about chasing... Read More

I can't better describe this than the annotation's second sentence, but might as well begin with the first: "The celebration of YULE in Northern Europe harks back to a transition from ancient Pagan Germanic culture to the more formal spirituality of the newer Christian rite. Christmas, as we mostly now call it, gave us hymns, processions and chants, and in between, silence in church. Yule meant a vibrant pre-Christian secularity, with feasting and... Read More

You needn't read the liner notes to feel from where drummer/composer Jacob Wendt draws his inspiration. The front cover photo and art direction offer a hint. The back cover does not, but drop the stylus on the title track opener and you'll hear Rudy's classic Blue Note stereo spread and feel Horace Silverness of it. The "Sidewinder"-ness of the follow up tune, "New Groove" is even more obvious, but on neither tune nor on any of... Read More

If you were not expecting greatness from this set be prepared to be disappointed. The box set's producers understood that the high bar set by the all-analog 2014 The Beatles In Mono box set required this American follow up to be at least equally good, if not better, even though it covers but a single year in the life of The Beatles and the group's relationship with Capitol Records. But what a year it was! Filled with label competition, marketing intrigue,... Read More

The problem with records like this is that they tell you how mediocre sounding many of your records are—unless your collection consists only of "audiophile" records, of which there are two kinds: "sounds great, less filling", or more rarely, "sounds great, is filling". For younger readers, that's a play on the old Miller Lite commercial: "tastes great, less filling".McIntosh Sessions celebrates the company's 75th... Read More

Based on some of the comments on this site under the original announcement of these UHQR Bill Evans releases you might think the subtitle quote was someone's reference to Analogue Productions Chad Kassem, but it's actually from annotator Ira Gitler's original liner notes for Sunday at the Village Vanguard. His point was that being a jazz critic doesn't mean he can't melt into the music and drop the analytical side of his reviewer brain. These... Read More

When someone has worked with a Beatle, they've no doubt reached a certain career pinnacle. It may be in film, audio, art, or elsewhere, it doesn’t matter what field, Beatles don’t work with folks who are second best. When it comes to music, however, this is Mt. Everest. To be given the opportunity to create music with a Beatle is what rock and roll dreams are made of. As an added bonus, you can be sure that the contributions you’ve made to the recording will be... Read More

Let's go directly to the sound because to wring something new from the music, especially to this audience, is a time waster. Play a half-dozen editions of Crosby, Stills & Nash and you'll hear six wildly different sonic presentations. Which is "correct"? There's no "artists intent" on this one, there are just different takes depending upon who's doing the mastering and pressing—and even then there are wild variations.... Read More

Where to start here? They still can't spell the late Doug Sax's name correctly so let's start there. It's not "Sachs". They made a mistach on the original, understood. If they repeated it to preserve the jacket's "authenticity", then why add the additional credits? But more to the point, why take a wonderful, magical recording, with depth, space, transparency, transient purity, shimmer, delicacy, three-dimensionality and... Read More

Vashti Bunyans's Just Another Diamond Day (1970) and Terry Callier's The New Folk Sound of Terry Callier (1965) are classic, collectible folk records from artists who never got their deserved attention. Both have been reissued by The Electric Recording Company, makers of limited and very expensive reissues of often quite rare recordings.

Two new LPs from Yarlung Records offer great sound and even greater performances.

ECM is arguably the most influential jazz label since the heydays of Blue Note and Impulse!. The German label recently announced Luminessence, its first ever audiophile vinyl reissue series. The two first releases, reviewed here, are Kenny Wheeler's Gnu High and Nana Vasconcelos' Saudades.

Almost no one asked for 2014’s spotty, blandly produced 'Songs Of Innocence' to be shoved into their iTunes library, and even fewer asked for a nearly three-hour compendium of mostly acoustic rerecordings from the catalog. Of course, U2’s latest project 'Songs Of Surrender,' conceived by The Edge and billed as a companion to Bono’s aforementioned book, is exactly that.