Music Reviews: Indie Pop

In just under ten years, songwriter/instrumentalist/vocalist Kevin Barnes transformed Of Montreal from a unified collective to a one-person operation. Having churned out whimsical baroque pop albums like Cherry Peel and The Gay Parade within the confinements of a band, Barnes took to working solo by dabbling in sonic experimentation and, inspired by their first marriage to Nina Grøttland, started writing in a more personal style. The initial fruits of this new... Read More

In the mid-2000s, Kaiser Chiefs finally exploded onto the post-punk revival scene. After a failed attempt in the music business as Parva, they scrapped everything to forge ahead with a new musical voyage. In a musical climate dominated by American groups like The Strokes and The Killers, Kaiser Chiefs provided a strong British influence, borrowing elements from Britpop and 70s punk rock. The group’s ability to craft stadium anthems, such as “I Predict A Riot” and the... Read More

1992…the beginning of SoundScan and the year that CD sales reached well over 400 million. And while a huge chunk of that went to 300 people who got production credits on “The Bodyguard” soundtrack, The Wedding Present launched a 12-month campaign to release a new single every month that affirmed David Gedge’s love of 7” vinyl. The band’s singer/songwriter then watched as the entire run sold out and they’d wind up equaling Elvis’ record for the most hits in a calendar year.

And so it starts again with a ballad. One that Damon Albarn started 20 years ago as, literally, “Half A Song,” finished at the urge of bodyguard Darren ‘Smoggy’ Evans and now the opening track on The Ballad Of Darren, Blur’s first album in eight years. Albarn has written many ballads, probably a few too many: about love, about sadness, about England. Yet “The Ballad” stands out in how defeated it is, especially as the opener for such an anticipated record. It signals... Read More