Music Reviews: Art Rock

A buddy of mine sent me “Trinidad” when it leaked last summer. I should’ve loved it. There’s feedback, there are horns. And there’s this kid who sounds like a trombone waking up in the morning. Cameron Winter’s voice is a wiley, unpredictable instrument. Who – or what – is responsible for this? Having Television, Radiohead, and Ween on the same iPod as a thirteen-year-old? It’s either an instant turn-off or a temporary one. I tapped out after a minute-and-a-half.

Before getting to the music, here are the mysteries: the first is that though the insert shows the Ampex 499 master tape box in full sized glory with an orange sticker indicating it was baked on July 24th 2017 (as best as I can make the date out) and the 30IPS tapes are fully assembled side A and B reels, this reissue was cut from a high resolution digital file. Why? The Capitol "UDiscovermusic" website says that all records in the Vinylphyle series are cut... Read More

David Bowie’s artistry and career are pinpointed by not just what genre he was exploring at a given point in time, but by the cities of the world in which he found himself. Glamorous London was the hub for Ziggy Stardust, Philadelphia’s soulful streets influenced Young Americans, debaucherous Los Angeles in 1976 gave birth to Station to Station and the Thin White Duke.The Thin White Duke was an extension of Thomas Newton, an extraterrestrial character that David Bowie... Read More

Over the last 50 years, enough has been written about Pink Floyd’s Wish You Were Here that I have nothing to add about the original album other than that it’s easily my favorite Pink Floyd album and was the first vinyl LP I ever bought. It’s carefully textured but not too indulgent and meandering, and the lyrics hit the sweet spot between universality and specificity. Never before or after would the band so perfectly achieve this balance, as the earlier stuff can be... Read More

If the music wasn't so interesting and singular, the story behind the album recorded in 1967 and released in 1968 would easily be more so. Dumped by Decca after having a string of great singles including "She's Not There", the group self-financed this project, recorded much of it at what later would be called Abbey Road Studios (with some at Olympic), signed to CBS, put out two singles and then this album released April, 1968 a month after the band... Read More

Last month, Sacramento Nu-Metal band Deftones dropped their 10th studio album Private Music. Coincidentally, this album also marks nearly 30 years since their debut LP Adrenaline released in 1995. Deftones have come a long way in 30 years, and their longevity is rare, especially for a band associated with a style of music that mostly died off in the mid 2000s. But part of their staying power has been the musical creativity that has long elevated the group far above... Read More

Following Roxy Music's epic and successful 2022 world tour, Phil and Andy decided they'd not had enough and so the two, along with original Roxy drummer Paul Thompson, went into the studio and in October 2023 released AM PM. They decided in March of 2024 to do some live shows based on the album and this is the result.Frankly, it's reassuring to know that Andy survived the Roxy tour because he appeared to be blowing his brains out and as cosmic,... Read More

One needn't be an Elliott Smith fan or even know who he was to appreciate Brad Mehldau's rich musical examination of emotional light and darkness using the late singer/songwriter's creativity as a guide to understanding "visionary depressives" generally, and specifically Smith and his often sad and dark, but simultaneously uplifting music. Smith fans are legion, intense, and like Nick Drake, another "visionary depressive", even in... Read More

Ever arrive at a party in progress where everyone knows everyone and you know no one? Leslie Mandoki's A Memory of Our Future an 80 minute double album arrived in a big box just before Munich High End 2024 along with multiple copies of a sumptuously produced promo booklet and an even bigger bound book touting the Mandoki Soulmates, drummer/producer Leslie Mandoki's all-star band that's been playing together in one form or another for thirty years. Ever... Read More

Spiritual pursuits and work as a sideman in music circles primed guitarist Robert Fripp to form the group he envisioned in 1981 after laying King Crimson to rest in 1975. Along with drummer Bill Bruford, bassist Tony Levin, and guitarist/vocalist/songwriter Adrian Belew, the quartet called themselves Discipline. The influence of new wave and post-punk made the group indicative of the time, bearing no resemblance to Crimson’s Mellotron swells and free improvisation.... Read More

Michael Fremer has misplaced his 1974 pressing of Frank Zappa’s Apostrophe (’), so he got a friend to hook him up with a loaner. When we pulled out the dust sleeve: Great googly moogly!“Rick, I’m tierd [sic] of you putting me down all the time. You do’nt [sic] know how much you hurt me,” begins a ballpointed breakup screed, from one Nancy. Reader, it’s a rough one: “All I ever here [sic] from you is that I’m fat, and ugly … I’m sick of you calling me a slut … You have... Read More

Because I was involved in the vinyl production of this record (credited as “Vinyl Shepherd”) I didn’t feel it appropriate to review it. So I enlisted Morgan Enos to do it. Mr. Enos’s partial resume: “Former Staff Writer at GRAMMY.com. His features, essays, and interviews, which encompass jazz, classic rock, hip-hop, and other spheres, have also appeared in Fortune, Billboard, JazzTimes, uDiscover Music, and other platforms”. The album debuts today with pre-orders on the familiar sites including the “buy now” button at the review bottom, where you can get more details.

David Bowie’s self-produced 1974 album Diamond Dogs is undoubtedly the worst of his run from Hunky Dory through Scary Monsters (Pin Ups doesn’t count). As a messy exit from his glam period, it compiles ambitious ideas with less than ideal execution, yet in a sense, it still seems unfairly maligned.Everyone knows the story by now: Bowie, on stage at the Hammersmith Odeon in 1973, “killed” Ziggy Stardust and thus freed himself for whatever came next. Ready for even... Read More

Everyone reading this site has by now probably heard about Rhino High Fidelity’s controversial reissue of Television’s landmark 1977 debut Marquee Moon. This latest edition sounds good but nothing like the original, which raises the question: what's the difference between good and bad mastering? And who's responsible?

Following a decade's worth of Asylum albums almost all of which were produced and engineered by the great Bones Howe, and none of which were originally commercially successful but they sure did sound good, and over time the audiences caught up with what he was doing, Tom Waits self-produced his Island debut Swordfishtrombones. Waits traded in his bar fly hipster small jazz combo recorded live in the studio thing for a far more experimental, heavily produced and... Read More

(There are two reviews of this record published simultaneously, one by Michael Fremer and one by Malachi Lui, the two working independently, for a young and an "I was around then" perspective).Chris Frantz writes in the updated booklet packaged with this new double LP set of the difficulties involved in mounting the complicated, unique, never before (or since) seen stage show that the late Jonathan Demme so well captured in the film "Stop Making... Read More

Immortalized in Jonathan Demme’s 1984 film Stop Making Sense, Talking Heads’ 1983 tour was the theatrical rock tour that ended all theatrical rock tours before it and raised the standard for those following. Choreographed but natural, theatrical but not outlandish, designed but also not, the newly reissued Stop Making Sense still resonates in its societal commentary and continuing influence.

And so it starts again with a ballad. One that Damon Albarn started 20 years ago as, literally, “Half A Song,” finished at the urge of bodyguard Darren ‘Smoggy’ Evans and now the opening track on The Ballad Of Darren, Blur’s first album in eight years. Albarn has written many ballads, probably a few too many: about love, about sadness, about England. Yet “The Ballad” stands out in how defeated it is, especially as the opener for such an anticipated record. It signals... Read More