Music Reviews: Progressive Rock

By 1973, things were starting to come together for Genesis. The classic lineup of vocalist Peter Gabriel, guitarist Steve Hackett, bassist Mike Rutherford, keyboardist Tony Banks, and drummer Phil Collins embarked on a string of albums, 1971’s Nursery Cryme and 1972’s Foxtrot, that would go down to define the ethos of progressive rock. These albums exemplify Genesis’ liberating drive to incorporate European classical elements into multi-segment compositions with... Read More

Do you find the idea of an unknown, songwriting multi-instrumentalist who was at one time a compelling artist yet who never truly found their lane appealing? If you answered in the affirmative, then it won’t require much arm twisting to have you explore ORG Music’s recent reissue of Tommy Court’s self-titled - one and only album - The Happy Dragon Band. The rare 1978 private pressing (only 200 albums were originally issued) has been reissued on vinyl for Record Store... Read More

1977 was a turbulent year for Pink Floyd. With bassist/primary songwriter Roger Waters asserting more of a dictatorship role, the band slowly drifted from being a collaborative unit. The rise of punk rock made Pink Floyd and many of their progressive rock contemporaries to be considered “dinosaurs.” In turn, the murky production value and Orwellian political themes explored on their then-new album, Animals, was their response to the shifting musical climate. The connection between Pink Floyd and their audience was lost during their In The Flesh tour from the same year. Rather than enjoying the band’s spectacle of flying pigs and inflatables, the raucous audiences were more concerned with setting off fireworks and riding hallucinogenic highs. This tension culminated with the infamous final show of the tour at Montreal’s Olympic Stadium, where Waters angrily spat at a member of the audience.

From its late '60's beginnings to today, progressive rock has always had cult status. Musical boundary pushing lengthy arrangements replete with elements of jazz and classical provide challenges for mainstream audiences. Therefore, a prog rock band's desire for commercial appeal then and now is often at odds with its creations and with the execs at the labels to which they are signed.