Tracking Angle went live on September 12th, 2022 with a "welcome" post that ever since has been pinned to the top of the home page. It's now retired to its correct timeline position. So much has happened this past year, I do know where to begin: with a grateful thank you to our readers/subscribers, a large percentage of whom made the switch to Tracking Angle. And of course we are continually welcoming new reader/subscribers. Reader comments here are always informed and most often add useful information. It's a community I'm proud to be part of as I think are all of our readers.

As The Strokes' frontman Julian Casablancas goes through his mid-life crisis, a new 7” box set of the group’s first 10 singles and a lavish reissue of its 2001 debut LP Is This It hits the market. Legacy acts are the backbone of the music industry: the longer a band (or an artist) maintains its success, the wider the demographic it reaches. When the original fans get older, they’re better able to pay for more expensive concert tickets and a steady stream of... Read More

Eric Astor, Furnace Record Pressing President and CEO invited me to tour the plant for the second time. The first time was a few years ago when the company was just setting up shop in the Alexandria, Virginia building that formerly housed The Washington Post's printing presses. During that first visit, Furnace was still shaking out the vintage Toolex Alpha presses it had purchased in Mexico plus it had added a few new WarmTone presses. This new tour shows... Read More

Once they step behind the rock and roll curtain, whatever runs-ins a journalist might have with famous (or soon to be famous…) musicians can eventually collapse into the mundane. They’re there to sell a record or tickets, and you’re there to help them do that and not much more. If you get to snag a few beers off their rider, all the better. But back during the days glamorized by that largely dreadful “Almost Famous” film, there was, in general, more to it. More fun... Read More

Since forming in 2003 the Avant-garde improvisational jazz trio Zen Widow has produced three albums for the Italian objet-a label. This is their fourth. Label founder Gianni Gebbia is the group's Bb soprano saxophonist. Matthew Goodheart plays piano as well as something called a transducer actuated gong. The percussionist who has a great deal to say on this record is Garth Powell. Yes, that Garth Powell, which is why upon hearing about this record I quipped... Read More

Here are notes on a selection from my favorite books on the history of recording technology, the history of the record business, and the interactions between recording technology, the record business, and the art of music. One example of what I mean by all that is, in the late 1920s, piezoelectric “crystal” microphones supplanted carbon microphones for radio broadcasting. Crystal microphones had a better signal-to-noise ratio than carbon microphones. Therefore, the... Read More

Aaron Diehl & the Knights’ Zodiac Suite may be the most important album of the year, but because “important” is such a wearying word, implying obligation and cryptic boredom, I should quickly add that it’s also an album of joy, swing, and surprise.It is the first complete, professional recording of Mary Lou Williams’ orchestral-jazz composition of that title, and therein lies a story.Williams, who died in 1981 at the age of 71, was a pianist and composer who... Read More

By the early 1970s, time had passed jazz by. The Beatles had happened, James Brown had happened, and “The Sixties” had happened. Young people, both Black and white, weren’t interested in jazz. It was the music of old people who didn’t buy many records or go out to clubs and concerts. Jazz musicians were scuffling for the few available gigs, driving cabs, and working at the post office. Even icons like Count Basie, Sarah Vaughan, and Ella Fitzgerald were having difficulty selling records, and all released albums of pop/rock tunes. The fusion music of Return to Forever and the Mahavishnu Orchestra, the smooth/funky jazz of Donald Byrd and Grover Washington Jr., and Keith Jarrett’s sui generis Koln Concert was the “jazz” that was selling.

My old friend and Rhino Records co-founder Harold Bronson has written "Time Has Come Today: Rock and Roll Diaries 1967" that will be out September 27th on Trouser Press Books. A review will be published shortly but for now, we have the press release:

There will be some Tracking Angle readers for whom Aphex Twin needs no introduction; and others will prefer not just an introduction, but a lengthy and detailed explanation. Explaining Aphex Twin is a very difficult notion. Genres are not sufficient to define his music, but electronic production is central to his modus operandi. If you enjoy the kind of splattering, gritty breakbeat riot represented by “Come To Daddy”, then you will know him well already. If you have... Read More

It could be a violent musical shock for a young jazz enthusiast in the early 1960s to discover 1957's "brilliant corners" after being introduced to Thelonious Monk on one of his later Columbia albums like 1963's "Criss-Cross". I speak from personal experience.I'd bought Criss-Cross when it was first released. It was my first Monk album. I knew nothing about Monk but I liked his name. I thought it and Monk were pretty wild. The record... Read More

The late British jazz saxophonist Lol Coxhill famously referred to this record as "Tubercular Balls"—and that's before he knew that his first name was short for "laughing out loud". For many reasons this album was and remains a phenomenon. Nineteen year old Mike Oldfield had already been in and out of many bands. He'd been a folkie with his sister Sally in a group called Sallyangie, the 'angie' part taken from the Bert Jansch... Read More