The Electric Recording Company (UK) release of Lightning Hopkins' «Goin' Away», recorded by Rudy Van Gelder in 1963, is not the kind of reissue that will impress all audiophiles. Other, far cheaper versions have more dynamics and a more brightly lit soundstage. But the ERC version is a very convincing, and very expensive, time machine.

Oakland, CA. Feb. 10, 2025—Musical Surroundings is excited to announce the appointment of Chris Thompson as Service and Product Manager. Chris was the Quality Control and Special Projects Manager at Parasound in San Francisco for 11 years. One of Chris’ many responsibilities was developing and supporting the Parasound line of John Curl designed phono stages.Moving across the bay to Oakland, Chris now works with Mike Yee, designer of the Musical Surroundings’ Phonomena... Read More

Batch #7 of the Original Source Series from Deutsche Grammophon turns to a long established classic of the DG catalogue. Karl Böhm was the great Mozartian of his age, and his many recordings of the composer's orchestral, choral and operatic music have been mainstays for decades. Remastered and recut directly from the 4-track master tapes, this handsome reissue casts Böhm's account in a new sonic light.

Jason Palmer isn’t as well-known as he should be, perhaps because he’s lived and taught in Boston for the last 20 years or so, whereas jazz, to the extent it’s promoted at all, tends to be New York-centric. He’s a trumpeter at once fiery and smooth-toned, dexterous and contemplative, equally emotive and virtuosic with chromatic flurries and balladic whole notes.He's in high demand when he’s not teaching at Berklee and the New England Conservatory, having... Read More

Got warped records? Warped records are a problem, though I have to say I really don't get too many of them. In fact, finding a warped record to flatten was not that easy for me. Finally one came along as a gift—a 180g Japan-pressed reissue of Happy End's Kazamachi Roman. Sometimes warped records come directly from the factory as a result of insufficient cooling time, but many a well-pressed record warps as a result of bad handling by the usual suspects:... Read More

Mack Avenue Music Group announced last month its partnership with Strata-East Records, the influential jazz label known for artistic freedom and high production standards founded in 1970 by Charles Tolliver and Stanley Cowell. The series will be released over time on AAA vinyl cut by Kevin Gray at Cohearent Audio, pressed on 180g RTI vinyl and deluxe laminated gatefold packaged— paper on cardboard— by Dorado. Strata-East: The Legacy Begins—a digital-only anthology... Read More

Batch #7 of the Original Source deluxe vinyl reissue series from Deutsche Grammophon (all mastered and cut DIRECTLY from 4 and 8-track master tapes by Emil Berliner Studios) kicks off with an established catalogue classic. The young firebrand conductor Michael Tilson Thomas, protégé of Leonard Bernstein, made his mark early with a series of acclaimed recordings for DG in the 1970s, and this Tchaikovsky 1st - at the time a work that was rarely recorded - may be the most celebrated of them all.

While in California last week working on a project for Mack Avenue Records (more about that soon) I visited Kevin Gray's Cohearent Mastering. That interview related to the Mack Avenue Records project will appear soon but for now, while at Kevin's I asked to see his home-based recording studio, inspired by Rudy Van Gelder's Prospect Avenue, Hackensack home studio in use until he moved in 1959 to the big one in Englewood Cliffs, NJ. He obliged. It's... Read More

Until Katy Lied, the "commercial" $29.99 Steely Dan reissues were cut using Bernie Grundman mastered digital files. All of the previous Dan albums therefore should have sonically resembled the UHQR 45rpm versions issued by Analogue Productions. None did. All sounded D.O.A. They were cut by a lesser known, let's say "second tier" Long Island, N.Y. based mastering engineer. Was the problem the quality of his cutting system? After all, a lacquer... Read More

By 1971, Yes had became synonymous with "progressive rock". After executing an array of rearranged covers and hybrids of blues and jazz on its first two albums (Yes and Time and a Word), the release of The Yes Album laid down the foundation for the group's “golden run”, which ran up until the mid-1970s. Tracks like “Yours Is No Disgrace,” “Starship Trooper,” and “I’ve Seen All Good People” were quick to become repertoire staples of their now 50+ year... Read More

Once upon a time, when great recording studios were a “thing”, long before they became almost extinct—when no one thought such a thing was even possible—studio owners and sound conscious musicians competed with one another to find new and improved recording technology.“Improved” came in many guises, some of which turned out to be worse. For instance, in the mid-1970s, the Aphex Aural Exciter grabbed the attention of both studio owners and musicians. It did what the... Read More

Batch #7 of the Original Source Series from Deutsche Grammophon is almost upon us, with Karl Böhm conducting Mozart’s Requiem and Michael Tilson Thomas conducting Tchaikovsky’s Symphony No. 1 to be released next week, and Tchaikovsky’s Romeo and Juliet plus Scriabin’s Poem of Ecstasy from Claudio Abbado in Boston due the week after.Also coming out on February 14th is Herbert von Karajan’s truly monumental recording of Mahler’s 6th Symphony, which I consider to be his... Read More

Technics has a turntable problem most turntable manufacturers would be happy to have. The company’s SL-1200 introduced in 1972 and in continuous production until the “death of vinyl” in 2010, only to return to production with the “resurrection of vinyl” in 2016, is iconic. More than 3.5 million were sold and many are still in use.Because it’s iconic and instantly recognizable, Technics wisely chose to maintain the turntable’s oft-copied basic looks and even keep the... Read More

Blondie released its fourth album Eat to the Beat in 1979. No way then could the band have known that nearly a half-century later it might be possible to press beats onto records made of beets that, at least theoretically, one could actually eat! Thermal Beets Records is a partnership founded by Larry Jaffee, the author of "Record Store Day: The Most Improbable Comeback of the  21st Century" and co-founder of the Making Vinyl conference, and Kevin DaCosta, a vinyl manufacturing consultant and the technical director for Evolution Music.

Press release: Acoustic Sounds - the global leader in analog expertise - is proud to announce the return of Chad Stelly, a renowned turntable setup specialist and audio guru, to their team. With Stelly back in the fold, Acoustic Sounds will offer customers the same level of personalized, and solutions-driven equipment sales that defines their best-in-class, in-house brands, Analogue Productions and Quality Record Pressings.Chad Stelly, affectionately known as... Read More