Music Reviews

Afric Pepperbird by the Jan Garbarek Quartet with Terje Rypdal, Arild Andersen and Jon Christensen was an early ECM touchstone, and the beginning of five decades of cooperation between producer Manfred Eicher, engineer Jan Erik Kongshaug and the four Norwegian players. It gets its first vinyl reissue since 1976 in ECM's Luminessence series.

If the above title scans, then you’re probably already familiar with the well-worn tale of ex-Beatle gone rogue to the far reaches of Nigeria. If not we can refer you to Wikipedia where tales of poor studio conditions, robbery and physical exhaustion all did their best to derail Sir Paul’s fifth solo attempt at getting back into the upper ranks of the pop realm.But if you just glance at the charts from the years before he, the memsahib and Denny Laine set off on... Read More

Have you seen the 2022 movie “Armaggedon Time”? It’s a coming of age movie set in 1980 Queens, New York about a creative, dreamer of a young man who wants to become an artist but his traditional Jewish parents are of course against it, preferring he become a “professional”. His musical tastes are rock’n’roll but after befriending a Black classmate, he’s introduced to Hip-Hop.Not that the movie is about music, but music represents the cultural crosswind at the time in... Read More

Herbie Nichols, who died of leukemia in 1963 at the age of 44, was a jazz composer-pianist of vast talent, wit, and virtuosity, but little luck. He recorded just four albums (three for Blue Note, one for Bethlehem), none of which sold well; his music may have been at once too formalistic and too quirky for its time. He had a playful style, not unlike Thelonious Monk's, who was a friend and contemporary, though Nichols' sense of structure and harmony was... Read More

The pantheon of guitar gods from the 1970s consists of the usual players that come to mind: Jimmy Page, Tony Iommi, and Ritchie Blackmore, just to name a few. Best known for being the original guitarist in KISS and adopting the makeup persona of “The Spaceman,” Ace Frehley is a self-described anomaly. His unorthodox approach to guitar playing left a mark on teenagers who spent their adolescent years learning his solos note-for-note. KISS’ on-stage theatrics enabled... Read More

Yen Records encapsulated bubble-era Japan’s artistic experimentation at a mainstream-adjacent level, though some artists never took off. Among them was Tamao Koike, whose new CD TAMAO - Complete Yen Years documents her short-lived '80s attempt at techno-kayō stardom. Partially produced by Yellow Magic Orchestra, Koike's music deserves rediscovery.

One of my favorite classical records of the last few years is Impex Records’ stunning reissue of violinist Jascha Heifetz and cellist Gregor Piatigorsky’s Beethoven Op. 1 trio on RCA (LSC-2770). This often overlook record originally released on the much-maligned RCA Dynagroove label has been brought back to life, sounding worlds away from the compressed original.I had secretly hoped the label would be dipping its toes back into the RCA classical waters, but I think... Read More

When someone has worked with a Beatle, they've no doubt reached a certain career pinnacle. It may be in film, audio, art, or elsewhere, it doesn’t matter what field, Beatles don’t work with folks who are second best. When it comes to music, however, this is Mt. Everest. To be given the opportunity to create music with a Beatle is what rock and roll dreams are made of. As an added bonus, you can be sure that the contributions you’ve made to the recording will be... Read More

The obi says the Adderley/Evans "reunion" was "Cannonball"'s idea, something I didn't know when I picked up a Japanese repress for $3.98 at Record Surplus back in the mid-80s during the era of the great "vinyl record replacement dump"—and what a great time it was for those who recognized the CD folly for what it was!The cover shot doesn't have Julian appearing all that happy posing with his horn in front of some art that... Read More

If the task is to compare five releases of an album, which it is here, at least it should be an album worth repeated listenings, and of course Ballads is, though it's not up there with Coltrane's greatest recorded achievements. It can't be beat as a Coltrane intro record for non-jazz fans who need the melody. For the rest of us, while Coltrane's playing is straight ahead and wonderfully lyrical, McCoy Tyner center stage wraps his fingers around the... Read More

Trio Fascination: Edition One—a 1997 piano-less trio session, newly mastered on two LPs as part of Blue Note’s Tone Poet series—is a magical album. First, the trio itself—Joe Lovano on various reeds, Dave Holland on bass, Elvin Jones on drums—was a one-time-only combo, the likes of which remains nearly unparalleled. Second, the music (all but one track composed by Lovano) is original, almost inexplainable, yet very accessible. Finally, the fact that this reissue... Read More

So now, let me tell you why High Definition Tape Transfer’s stunning first-release downloads, based upon Jerry Bruck’s experimental session tapes from more than 50 years ago, is a “Must Buy” recommendation if you love the music of Gustav Mahler. (However, the same holds true, even if all you want is to hear your stereo system sounding as though it is worth all the money you have put into it!)

With Love It To Death, Killer, School’s Out, and Billion Dollar Babies, The Alice Cooper group spent the first half of the 1970s cementing albums into the shock rock ethos. They found their niche by embracing the hard rock sounds from the motor city of Detroit, coupled with a stage show that included boa constrictors, chopped baby dolls, gallowses, and guillotines. Finding success after trial and flaw was a triumph, but, like all aspiring things, the cracks were... Read More

Perhaps the biggest reissue surprise in Analogue Productions’ Atlantic Records 75th anniversary partnership is Matchbox 20’s 1996 debut album Yourself Or Someone Like You. Yet the band maintains a more devoted fanbase than you might think, and this reissue is by far the best sounding edition of their diamond-certified debut.

On July 18, 1951, Bill Broonzy got off a plane in Brussels, was met by a member of the Hot Club of France and began his first tour of Europe. A Black American guitar playing, self accompanied blues singer was a little understood novelty in Europe in 1951. Blues was considered by jazz critics and fans to be a primitive form of jazz that had flourished in the 1920s only to degenerate into a simplistic, sexually suggestive dance music. Very few Europeans, only those who... Read More

Let's go directly to the sound because to wring something new from the music, especially to this audience, is a time waster. Play a half-dozen editions of Crosby, Stills & Nash and you'll hear six wildly different sonic presentations. Which is "correct"? There's no "artists intent" on this one, there are just different takes depending upon who's doing the mastering and pressing—and even then there are wild variations.... Read More

In his annotation for this 1969 Milestone release, Down Beat writer Alan Heineman makes a good case for why back then (and perhaps even now), the late Joe Henderson, whose sound, both sweet and gruff is instantly recognizable, was an underrated tenor saxophonist. No matter the reasons then, today he's far better appreciated as a leader and sideman on Blue Note albums (leader on five including Inner Urge, sideman on more than two dozen including Larry Young's... Read More

Transitioning from the ‘70s to the ‘80s wasn’t easy for Ozzy Osbourne. The Birmingham-born vocalist found himself without a band when the members of Black Sabbath ousted him due to his heightened substance issues. Stuck in a drug-and-booze haze for three months at a Los Angeles hotel, salvation came in the form of his manager and future wife, Sharon Arden, who encouraged Osbourne to pursue a solo career. The impact of his first two solo albums, Blizzard of Ozz and... Read More

The story behind this "forgotten" release and re-release is interesting, but not nearly as interesting as the music, which is a refreshing turn in a world of "undiscovered gems" that often turn out to be undiscovered for good reasons and not gems at all. Downbeat critic Ira Gitler gave Matador a well-deserved very positive review when it was first released in 1963 (Dorham was also for a time late in his life a Downbeat critic). Two things... Read More