Music Reviews: Folk Rock

This is a good time to be alive if you are a Neil Young fan. For years, Neil Young, an archivist like few others, has saved everything. And when I mean everything, take a gander at the Neil Young Archives. Here we find photographs, original lyric sheets, ephemera, videos, and all the music. The music quality, it goes without saying, is also presented in a similarly archival manner. For those who stream, you are treated to a digital source that is as close as you can... Read More

Let's go directly to the sound because to wring something new from the music, especially to this audience, is a time waster. Play a half-dozen editions of Crosby, Stills & Nash and you'll hear six wildly different sonic presentations. Which is "correct"? There's no "artists intent" on this one, there are just different takes depending upon who's doing the mastering and pressing—and even then there are wild variations.... Read More

Best known for the cover of Chet Powers' (stage name Dino Valenti) anthemic "Get Together" found on the group's eponymous Felix Pappalardi produced 1967 debut album and later as the launch pad for Jesse Colin Young's fizzled solo career, The Youngbloods never got the much deserved recognition for its three smooth, dreamy, well-crafted rock-folk-jazz albums released by RCA between 1967 and 1969, the last and best one being this one, Elephant... Read More

Within the world of true artists, Syd Barrett was a national treasure. His inventive guitar work and whimsical wordplay elevated Pink Floyd’s direction away from their embryonic Stones-esque R&B roots. The sole Floyd album under Barrett’s leadership, The Piper at the Gates of Dawn, resides in good company with Sgt. Pepper and others for being one of the defining albums of the Summer of Love. Non-album singles like “Arnold Layne” and “See Emily Play” demonstrated... Read More

One of Neil Young's finest, most reflective and at times sad and occasionally depressing albums, Harvest Moon released in 1992 finds the then 47 year old looking back. On the opener "Unknown Legend" he's remembering observing a waitress in a diner who a few years later he'd marry. About Pegi Young he sang "Never saw a woman look finer/I used to order just to watch her float across the floor". On "From Hank to Hendrix" he... Read More

Martin Scorsese's 2008 film Shine A Light concert film documented a 2006 Rolling Stones Beacon Theater engagement, but Jack White's "Loving Cup" performance with Mick Jagger almost stole the show. White appeared to be having the rock'n'roll time of his life, hardly able to contain his pleasure in an almost "I can't believe I'm here doing this! Growing up, it's what I dreamed about one day doing." Maybe that's... Read More

Recently reissued for its 50th anniversary, Haruomi Hosono's 1973 solo debut Hosono House wasn’t the start of his career, but the first development towards forging his own path. It’s a short, comfortable-sounding record whose homely, domestic charm has proven its lasting appeal.

If you didn’t know anything about Karen Dalton when you dropped the stylus on one of her records, you’d quickly get the sense that her life probably hadn’t been an easy one. Mournful, and sung in a voice that parsed the terrain between Billie Holiday and Janis Joplin, the songs on the 50th Anniversary Edition of the singer’s second and final long player can be a tough listen. But thanks to multiple reissue campaigns, her work has filtered on down through five plus... Read More

In 1966 The Beatles came to Japan, playing the 15,000-seat Nippon Budokan in Tokyo, firmly planting the flag of western rock and roll in the island nation. What followed were a series of Beatles and Rolling Stones-esq copycat bands, often assembled by various record labels, playing everything from covers of American blues hits, to sparkly pop ballads written by in-house composers supplied by the record label. As the Japanese had difficulty pronouncing the term ‘Rock... Read More

It runs less than 1/2 hour but "The Fantastic Expedition of Dillard & Clark" is worth its weight in choose your favorite precious whatever. Crazy magic happened in the "small, lonely L.A. studio" A&M's Bob Garcia describes in the liner notes. Obviously the small budget or a previous booking didn't allow Gene Clark, Doug Dillard, Bernie Leadon, Chris Hillman and the others to record at the big A&M Studio, but no matter,... Read More

(This review originally appeared in Issue 7, Spring 1996.)The question is, how far are you willing to climb to reach a pure source? Do you want the water as it exits from a fissure in the rocks? Or is a filtered five gallon bottle delivered to your back door good enough for you?Which are you more comfortable with? PJ Harvey? Or Alanis Morissette? Fresh or packaged? What you’ll get here is drawn straight from the pure stream of Will Oldham’s cosmic ether. Oldham is a... Read More