Fed up with tight set lists and arena tour tedium, Tom Petty and the Heartbreakers pitched its musical tent January, 1997 at San Francisco's Fillmore Auditorium for a two week residency. The Fillmore put 10 shows on sale—box office sale and pickup only— not sure how it would do. It was an immediate sell-out. More show dates followed until there were 20 sell-out shows between January 10 and February 7.

(This review, written by Carl E. Baugher, originally appeared in Issue 7, Spring 1996.)P is Gibby Haynes (Butthole Surfers), Johnny Depp (Edward Scissorhand), Bill Carter and Sal Jenco. Also, as it says on the back of the LP jacket, “P is a land, not a liquid or a fruit.” Uh, ok. Not by any means the discordant thrash you might expect from this Gibby-led bunch, this quirky, curious album is consistently engaging, with a wide range of musical variety and coarse, crude... Read More

In 1966 The Beatles came to Japan, playing the 15,000-seat Nippon Budokan in Tokyo, firmly planting the flag of western rock and roll in the island nation. What followed were a series of Beatles and Rolling Stones-esq copycat bands, often assembled by various record labels, playing everything from covers of American blues hits, to sparkly pop ballads written by in-house composers supplied by the record label. As the Japanese had difficulty pronouncing the term ‘Rock... Read More

The mythology that has been purposefully built up around Goat is sparse but compelling. An anonymous masked voodoo collective playing psychedelic afrobeat-tinged rock, from a village called Korpilombolo in northern Sweden? It’s a nice yarn, and whether it is true or not seems irrelevant when the potency of the music itself blows away the need for a good origin story. (It turns out they actually are from northern Sweden.) If you have seen Goat perform live, you will... Read More

"Welcome Klaus! Come have a listen", George Martin invited. "You can sit in my chair," he said to Klaus Voorman, bassist, artist and long time friend of The Beatles. This and other excerpts from Voorman's graphic novel birth of an icon REVOLVER tells the story of how and what moved Voorman to draw the now iconic, possibly influenced by Aubrey Beardsley pen and ink black and white cover—visually a polar opposite of Rubber Soul's inviting... Read More

When Steely Dan recorded "Can't Buy a Thrill" it was more of a "pick-up" studio band than a "group". As Donald Fagen recounts in the notes accompanying this new UHQR release sourced from the original master tapes (shown on the notes insert), Fagen and Walter Becker had failed as ABC Dunhill "staff composers" and decided it was time to live the dream leading a real band.The pair called their friend New York guitarist Denny... Read More