With Bowie-mania sure to surge this summer thanks to the first time release of the full concert version of the digitally restored Ziggy Stardust and the Spiders from Mars: The Motion Picture, 50 years after it originally screened, and playing in theaters beginning July 3rd, I found Harvey Kubernik's interview with Julian Shah-Tayler too good to not grab and publish—and that's before listening to Forget I'm 50, his re-imagined Aladdin Sane album. What most got me interested was Shah-Tayler's telling Kubernik that he first discovered Bowie through the song "Let's Dance" and wasn't impressed, but when a friend played him “Yassassin” from Lodger... . How would a 50 something who wasn't yet born when the album was released, recast in 2023 Aladdin Sane? With undeniable high energy and excitement, that's how. The only contributing artist I've heard of here is Gene Loves Jezebel (Michael Aston), who does an effective "Jean Genie". Shah-Tayler tackles "Lady Grinning Soul" and makes it tribute-fresh (the album is available on streaming services). For good measure, Kubernik includes interviews with D.A. Pennebaker who produced the film and with our friend Ken Scott who engineered and produced Aladdin Sane. Me? I was on the Ziggy tour for three stops (New York, Chicago and Detroit) in addition to the Boston Music Hall show so I can confirm that the hysteria you see in the movie was real. The Carnegie Hall show was a quasi- religious experience.

“I’m losing my edge…to the art school Brooklynites in little jackets… and borrowed nostalgia for the unremembered 80s.”When a then-32-year-old James Murphy uttered that line on LCD Soundsystem’s 2002 debut single “Losing My Edge,” it was about the millennial hipsters taking over New York City, recycling culture and fashion from a quarter-century before. Unlike their aesthetic predecessors, they didn’t have to work hard to find anything; they were “internet seekers who... Read More

Black velvet skies, desolate streets, and lilac bags beneath everyone’s somnolent eyes. Is the foreboding purple from sleep deprivation, early morning’s merciless frost, or both? Fossilised fingers despite wool gloves, numb toes underneath double-layer socks; next year remember three pairs. It seems an ordinary Saturday yet early as 3:00 AM record collectors camp outside. Why? Record Store Day; the day Taylor Swift fans receive their yearly limited edition release.

For High End Munich 2023 I brought onboard Carlos Martin Schwab, a Munich area-based writer who in previous years has done no-nonsense show coverage for other sites. I asked him to cover some brands and non-analog related products. You'll note he covered OMA. I asked him to do that because pre-show I decided against entering the OMA room. Why? I was disinvited from a factory visit by OMA's founder. I was supposed to go there for The Absolute Sound, which is reviewing the K3 turntable I reviewed for my previous endeavor and they wanted video factory coverage and an owner profile. Ultimately, I decided it was best to cover the room, which I did in a video posted on YouTube. The encounter left one consumer-observer to comment under the video "I foresee Fremer unloading his OMA TT soon… the tension between him and Weiss was palpable". Martin Schwab also covered a few rooms i didn't assign but I'm glad he did, especially IO Design, an amazing sounding loudspeaker covered last year that I didn't have time to hear this, though I've heard it's been further improved. Martin Schwab encountered my friend Rick Rubin with Al DiMeola. His comment further elucidates his distaste for the industry, which I find amusing. He didn't think I'd run his comment you'll read below that ends with "...ego is counted by the ton." That's because he doesn't know me well. The show was a great success attracting 22,137 visitors from approximately 100 countries who came to see products from 550 exhibitors representing 54 nations. More than 1000 brands were on display. While 22,137 visited the show in person, to date, more than 34,000 people have viewed TrackingAngle.com's first day video coverage on YouTube. Such is the power of the Internet.

Ghost is a band you can hardly run away from. Tobias Forge, who assumes the role of frontman Papa Emeritus IV backed by a revolving door of anonymous musicians known as Nameless Ghouls, has brought an element of theatricality back into the music world that can be traced to older acts such as KISS and Alice Cooper. With a schtick that serves as a Satanic parody of Catholicism it's one that could be seen as either sacrilege to the superstitious or tongue-in-cheek... Read More

June 1, 2023 (New York, NY) In the summer of 1961, John Coltrane headlined at the celebrated music venue, the Village Gate. With a lineup of musicians that included McCoy Tyner, Reggie Workman, Elvin Jones, and the fiery playing of Eric Dolphy, Evenings at the Village Gate captures the creative and transformative spirit that sprang from the pairing of Coltrane and Dolphy, and the evolving short-lived quintet. Evenings At The Village Gate: John Coltrane With Eric... Read More

I've been buying records in antique and second-hand stores, thrift shops, and Goodwills since 1965. In my town, there was a Goodwill store with a large display table, approximately six feet by four feet, piled high with hundreds of unsleeved 45 rpm records priced at two for five cents. I would go through them every few weeks searching for Beatle records, always unsuccessfully, except once when I found a new copy of Swan 4182 "Sie Liebt Dich (She Loves... Read More