Music Reviews: Vinyl

Update! 10/8/2023 My inbox was filled with "first press" info. That's one of the great things about doing these videos and reviews. You learn stuff. So, I learn that supposedly the "first pressing" I have with date of 8-13-71 is an "east coast" pressing and doesn't sound nearly as good as one with a "W1" in the lead out groove and no date. So I search my storage space and I have one. I play it. It is much better... Read More

Binging Ornette Coleman’s discography, from his early Contemporary recordings to his historic Atlantic period then the Blue Note releases and beyond, is a truly enriching experience. One hears how his sound developed over his first decade of recordings, how certain musicians fit in his groups, how he started exploring other instruments beside his usual alto sax. Last year, Blue Note’s Tone Poet series released Round Trip, a 6LP box set containing his mid-late 1960s... Read More

While hip-hop and boy bands dominated the musical climate of the millennium, The Donnas rekindled the aesthetics of old-fashioned rock and roll. Vocalist Brett Anderson, guitarist Allison Robertson, bassist Maya Ford, and drummer Torry Castellano joined forces in 1993 and formed the punk band Ragady Anne, later rechristened as The Electrocutes. Two years later, The Donnas emerged as an avenue for the girls to embrace a garage rock sound that didn’t deter from their hardcore origins. To distinguish this outfit, each member took on the “Donna” moniker followed by the first initial of their last names (Brett = Donna A et al). Upon the release of their self-titled debut album and a brief tour of Japan in 1997, The Donnas signed with Lookout Records, and this was during their senior year of high school! In hindsight, The Donnas became the vehicle destined to take off to stratospheric heights.

1992…the beginning of SoundScan and the year that CD sales reached well over 400 million. And while a huge chunk of that went to 300 people who got production credits on “The Bodyguard” soundtrack, The Wedding Present launched a 12-month campaign to release a new single every month that affirmed David Gedge’s love of 7” vinyl. The band’s singer/songwriter then watched as the entire run sold out and they’d wind up equaling Elvis’ record for the most hits in a calendar year.

Courtney Barnett has for a decade now been a leading female figure in indie music. Hailing from the city of Melbourne, her artistry knits together a witty stream-of-consciousness lyrical approach paired with the musical edge of 90s grunge to make a sound that’s very much her own. Barnett’s first two full-length efforts, 2015’s Sometimes I Sit, and Think and Sometimes I Just Sit and 2018’s Tell Me How You Really Feel, have a raucous bite to them. The softer singer-songwriter sensibilities appeared on 2019’s Things Take Time, Take Time. Some of the other exciting detours from her mainline output were a collaboration album with Kurt Vile, Lotta Sea Lice, and a live album documenting her appearance on MTV Unplugged.

Since forming in 2003 the Avant-garde improvisational jazz trio Zen Widow has produced three albums for the Italian objet-a label. This is their fourth. Label founder Gianni Gebbia is the group's Bb soprano saxophonist. Matthew Goodheart plays piano as well as something called a transducer actuated gong. The percussionist who has a great deal to say on this record is Garth Powell. Yes, that Garth Powell, which is why upon hearing about this record I quipped... Read More

Aaron Diehl & the Knights’ Zodiac Suite may be the most important album of the year, but because “important” is such a wearying word, implying obligation and cryptic boredom, I should quickly add that it’s also an album of joy, swing, and surprise.It is the first complete, professional recording of Mary Lou Williams’ orchestral-jazz composition of that title, and therein lies a story.Williams, who died in 1981 at the age of 71, was a pianist and composer who... Read More

There will be some Tracking Angle readers for whom Aphex Twin needs no introduction; and others will prefer not just an introduction, but a lengthy and detailed explanation. Explaining Aphex Twin is a very difficult notion. Genres are not sufficient to define his music, but electronic production is central to his modus operandi. If you enjoy the kind of splattering, gritty breakbeat riot represented by “Come To Daddy”, then you will know him well already. If you have... Read More

It could be a violent musical shock for a young jazz enthusiast in the early 1960s to discover 1957's "brilliant corners" after being introduced to Thelonious Monk on one of his later Columbia albums like 1963's "Criss-Cross". I speak from personal experience.I'd bought Criss-Cross when it was first released. It was my first Monk album. I knew nothing about Monk but I liked his name. I thought it and Monk were pretty wild. The record... Read More

The late British jazz saxophonist Lol Coxhill famously referred to this record as "Tubercular Balls"—and that's before he knew that his first name was short for "laughing out loud". For many reasons this album was and remains a phenomenon. Nineteen year old Mike Oldfield had already been in and out of many bands. He'd been a folkie with his sister Sally in a group called Sallyangie, the 'angie' part taken from the Bert Jansch... Read More

Monk's Music by the Thelonious Monk Septet was recorded in 1957, simultaneously in mono and stereo. A new mono reissue showcases the importance of microphone placement and recording methodology.

Being a fan of Japanese Sludge/Doom/Stoner/Drone/Psych/Pop-Metal power trio Boris can be exhausting, especially if you’re a record collector. Since forming in 1992 these industry veterans have racked up 29 full-length studio albums alone, not even including their dozen or so collaborative albums and countless extended plays. Having casually heard this band mentioned by friends who were enthusiasts of punk and metal over the years, sometime in 2012 or 2013 I found... Read More

Charles Mingus’ format as a deeply spiritual, playfully inventive and stylistically uninhibited composer, bassist and bandleader is very much in evidence on Changes: The Complete 1970s Atlantic Recordings, an 8 LP (or 7 CD) box set of his late-era recordings for the label. 

Bluegrass is enjoying one of its cyclical surges of artistry and audience, with Molly Tuttle in the vanguard. She and Billy Strings have become the first ascendant acoustic guitar stars in years, while carving out band identities as distinct and transformative as Alison Krauss and Union Station in the 90s or J.D. Crowe and the New South in the 70s. She’s won numerous bluegrass awards and a Grammy before age 30. In a golden time, Tuttle is a golden girl from the Golden State with her second album in 16 months, aptly titled City of Gold. 

Located at 3138 Fillmore Street, The Matrix was the hub of the “San Francisco sound” in the late 1960s. The pizza parlor turned nightclubs was spearheaded by the members of Jefferson Airplane in 1965, who became the default house band. Whether it was Big Brother and the Holding Company, Steve Miller Band, or Quicksilver Messenger Service, spectators that attended shows at the Matrix witnessed Bay Area bands in a loose environment that was a far cry from Bill Graham’s grandiose Fillmore West.