In 2008 Thorens commissioned Analogue Productions to create a 3 LP package celebrating the company's 125th anniversary. The resulting limited edition set—with songs selected from titles that had either been produced by or licensed by Analogue Productions— quickly sold out and now fetches big dollars on Discogs. The least expensive copy listed as I write this is at $170.00. The top price paid was over $400. Now Analogue Productions has repurposed the package,... Read More

Since its founding in 1949 by Frank McIntosh the company that bears his name has flirted with non-electronic analog gear, but only rarely did it produce any, though of course for decades records and to a lesser degree pre-recorded tapes were the primary sources of music. McIntosh produced its first AM-FM tuner, the MR55 in 1957 and later became well known for its MR67, MR71, MR77 and MR78 tuners, the latter two designed by Richard Modafferi, who was a Senior Engineer... Read More

Lori Lieberman performs this set of standards without a "net"—no reverb bath, or any kind of cover. Singing directly and closely "on mic" where there's no room for error she delivers her finest vocal performances on record backed by Matt Rollings on keyboards (piano and B3), Lyle Workman on guitars, David Piltch on upright bass and Victor Indrizzo on drums.Lieberman produced the record with Rollings, a player in Lyle Lovett's Large Band... Read More

Fed up with tight set lists and arena tour tedium, Tom Petty and the Heartbreakers pitched its musical tent January, 1997 at San Francisco's Fillmore Auditorium for a two week residency. The Fillmore put 10 shows on sale—box office sale and pickup only— not sure how it would do. It was an immediate sell-out. More show dates followed until there were 20 sell-out shows between January 10 and February 7.

My main job is national-security columnist for Slate. Every December since joining, back in 2002, my editors have indulged me to write a piece on the year’s best jazz albums. Here’s a link to this year’s column, which, as usual, includes a mini-essay about each album and a sound clip of an entire track. Most of these I’ve reviewed either for Tracking Angle (those designated with an asterisk *) or for Stereophile when I was a staffer there (marked with two asterisks **). I should also note that most of these albums sound very good (the Jamal and Waldron sound good); a few (#1, 2, 3, and 5) sound superb.

Press release: Following the registration deadline for the HIGH END 2023 on 30th November 2022, the company HIGH END SOCIETY Service GmbH is pleased to announce that the international audio show is yet again fully booked. According to the event organiser, the demand for the popular atrium rooms in particular far exceeded the capacities available. The continued interest in the event among exhibitors is extremely positive and demonstrates how trade shows will continue... Read More

You have to log into your Sirius/XM account and then you can hear: "...decades of Neil’s classics, tracks from his new World Record LP, and songs from his recently released Harvest 50th Anniversary Deluxe Edition featuring outtakes, demos, alternate versions and live tracks."The "Harvest" link takes you to where you can order the deluxe bundle for $149.00. The most interesting thing there is a previously unseen two hour 1971 documentary film shot... Read More

Jan Omdahl is the author of a new book in Norwegian on «Afric Pepperbird» by the Jan Garabrek Quartet, an early ECM jazz touchstone. The book is being considered for publication in English. This excerpt chronicles Jan’s attempts to convince his reclusive namesake to talk to him, ending up instead with Garbarek’s personal collection of test pressings. 

(This review, written by Carl E. Baugher, originally appeared in Issue 7, Spring 1996.)P is Gibby Haynes (Butthole Surfers), Johnny Depp (Edward Scissorhand), Bill Carter and Sal Jenco. Also, as it says on the back of the LP jacket, “P is a land, not a liquid or a fruit.” Uh, ok. Not by any means the discordant thrash you might expect from this Gibby-led bunch, this quirky, curious album is consistently engaging, with a wide range of musical variety and coarse, crude... Read More

I saw Miles Davis’ pop-rock band a half dozen times in the 1980s and loved the music each time. The concert-recordings from that period—"Miles Live Around the World" and the relevant discs from the 20-CD "Complete Miles Davis at Montreux", both released posthumously on Warner Brothers—were also wondrous, a departure from his discography (as every new phase of his was from the phase before) but still ranking high. His famous covers of Michael... Read More

In 1966 The Beatles came to Japan, playing the 15,000-seat Nippon Budokan in Tokyo, firmly planting the flag of western rock and roll in the island nation. What followed were a series of Beatles and Rolling Stones-esq copycat bands, often assembled by various record labels, playing everything from covers of American blues hits, to sparkly pop ballads written by in-house composers supplied by the record label. As the Japanese had difficulty pronouncing the term ‘Rock... Read More

There's so much to like about this reissue of a 1994 Criss Cross release, here for the first time on vinyl, especially if you dig jazz organ. The title plays off of Wes Montgomery's 1993 Riverside album "Boss Guitar" on which Rhyne played in a trio with Jimmy Cobb on drums.That fun set mostly consisting of covers was Montgomery's 9th for Riverside and not exactly a collection necessity. Both Rhyne and Montgomery were Indianapolis natives who... Read More

Ahmad Jamal has long been known for his stately swing. He emerged as an innovative pianist, and a best-selling trio leader, in 1958, with his live album, "At the Pershing: But Not for Me". Even before then, Miles Davis touted him as a major influence on his own ballad style, citing his spacious phrasing and soft touch. Miles told his pianist of the era, Red Garland, to play like Jamal.I confess I didn’t follow Jamal much between his lyrical late-‘50s... Read More

Blue Note announces today a list of new, upcoming titles in its Classic Vinyl Reissue Series, the label's affordable long running series, mastered by Kevin Gray from original master tapes and pressed on 180 vinyl at Optimal. The series is curated by Don Was and Cem Kurosman. The first two coming January 20th, 2023 are Grant Green's "Green is Beautiful" and Bobby Hutcherson's "San Francisco". Both are currently available for pre-order on the Blue Note Store.

Louis Armstrong, of all popular well-loved musicians of good cheer, never did release a Christmas album—until this one was recently cobbled together by some smart folks at Verve/UMe. How smart? It's Top 10 across multiple November 26th Billboard charts. This is kind of wild but: it came in at No. 9 on the Top Holiday Albums chart and launches in the top 10 on Jazz Albums (No. 4), Traditional Jazz Albums (No. 4), Top Album Sales (No. 7), Top Current Album Sales... Read More

This must have been a "walk in the park" session. As the annotation says, "Surely all the songs played are too familiar to necessitate comment," although like looks, sounds can be deceiving. All of the familiar tunes—including "Just a Closer Walk With Thee","Go Down Moses" and "Sometimes I Feel Like a Motherless Child" are taken at an unhurried pace and while at first it may sound simple, relaxed and self-evident, pay... Read More