Music Reviews

Kyoto’s four-piece, all-female, Japanese punk sensation Otoboke Beaver are probably the most talented live band I have witnessed in years. My favourite rhythm section in punk rock? No doubt about it, with Hiro-Chan’s bass effortlessly interlocking with the incredible drumming of Kahokiss. Is Kahokiss the best drummer I have ever seen? No question - she can stop and start on a pinhead and hammer out multiple time-signatures in one song at a tempo and force that... Read More

The speculation below re digital is wrong. Patrick Milligan commented on an unboxing video that it’s from tape. I stand corrected and sorry I didn’t see obscure unboxing video. However, I stand by my sound comments. These records don’t sound great compared to previously released versions and the compression is noticeable and unwelcomed. Compared to nothing I’m sure they will sound okay. And glad they are cut from tape.The four albums in this box document an artist on... Read More

In 2008 Thorens commissioned Analogue Productions to create a 3 LP package celebrating the company's 125th anniversary. The resulting limited edition set—with songs selected from titles that had either been produced by or licensed by Analogue Productions— quickly sold out and now fetches big dollars on Discogs. The least expensive copy listed as I write this is at $170.00. The top price paid was over $400. Now Analogue Productions has repurposed the package,... Read More

Lori Lieberman performs this set of standards without a "net"—no reverb bath, or any kind of cover. Singing directly and closely "on mic" where there's no room for error she delivers her finest vocal performances on record backed by Matt Rollings on keyboards (piano and B3), Lyle Workman on guitars, David Piltch on upright bass and Victor Indrizzo on drums.Lieberman produced the record with Rollings, a player in Lyle Lovett's Large Band... Read More

Fed up with tight set lists and arena tour tedium, Tom Petty and the Heartbreakers pitched its musical tent January, 1997 at San Francisco's Fillmore Auditorium for a two week residency. The Fillmore put 10 shows on sale—box office sale and pickup only— not sure how it would do. It was an immediate sell-out. More show dates followed until there were 20 sell-out shows between January 10 and February 7.

(This review, written by Carl E. Baugher, originally appeared in Issue 7, Spring 1996.)P is Gibby Haynes (Butthole Surfers), Johnny Depp (Edward Scissorhand), Bill Carter and Sal Jenco. Also, as it says on the back of the LP jacket, “P is a land, not a liquid or a fruit.” Uh, ok. Not by any means the discordant thrash you might expect from this Gibby-led bunch, this quirky, curious album is consistently engaging, with a wide range of musical variety and coarse, crude... Read More

I saw Miles Davis’ pop-rock band a half dozen times in the 1980s and loved the music each time. The concert-recordings from that period—"Miles Live Around the World" and the relevant discs from the 20-CD "Complete Miles Davis at Montreux", both released posthumously on Warner Brothers—were also wondrous, a departure from his discography (as every new phase of his was from the phase before) but still ranking high. His famous covers of Michael... Read More

In 1966 The Beatles came to Japan, playing the 15,000-seat Nippon Budokan in Tokyo, firmly planting the flag of western rock and roll in the island nation. What followed were a series of Beatles and Rolling Stones-esq copycat bands, often assembled by various record labels, playing everything from covers of American blues hits, to sparkly pop ballads written by in-house composers supplied by the record label. As the Japanese had difficulty pronouncing the term ‘Rock... Read More

There's so much to like about this reissue of a 1994 Criss Cross release, here for the first time on vinyl, especially if you dig jazz organ. The title plays off of Wes Montgomery's 1993 Riverside album "Boss Guitar" on which Rhyne played in a trio with Jimmy Cobb on drums.That fun set mostly consisting of covers was Montgomery's 9th for Riverside and not exactly a collection necessity. Both Rhyne and Montgomery were Indianapolis natives who... Read More

Ahmad Jamal has long been known for his stately swing. He emerged as an innovative pianist, and a best-selling trio leader, in 1958, with his live album, "At the Pershing: But Not for Me". Even before then, Miles Davis touted him as a major influence on his own ballad style, citing his spacious phrasing and soft touch. Miles told his pianist of the era, Red Garland, to play like Jamal.I confess I didn’t follow Jamal much between his lyrical late-‘50s... Read More

Louis Armstrong, of all popular well-loved musicians of good cheer, never did release a Christmas album—until this one was recently cobbled together by some smart folks at Verve/UMe. How smart? It's Top 10 across multiple November 26th Billboard charts. This is kind of wild but: it came in at No. 9 on the Top Holiday Albums chart and launches in the top 10 on Jazz Albums (No. 4), Traditional Jazz Albums (No. 4), Top Album Sales (No. 7), Top Current Album Sales... Read More

This must have been a "walk in the park" session. As the annotation says, "Surely all the songs played are too familiar to necessitate comment," although like looks, sounds can be deceiving. All of the familiar tunes—including "Just a Closer Walk With Thee","Go Down Moses" and "Sometimes I Feel Like a Motherless Child" are taken at an unhurried pace and while at first it may sound simple, relaxed and self-evident, pay... Read More

This charming, mood enhancing television special soundtrack has for decades been a favorite Christmas album. Lighthearted and breezy, sometimes sentimental and occasionally deep—as when the children's chorus of San Raphael's St. Paul's choir so innocently sings "Hark, The Herald Angels Sing". How the television special came to be and a soundtrack album produced is almost as charming as the end product itself. It's told in the gatefold... Read More

With eleven previous album releases to his credit as leader, recording with some of the best known names in contemporary jazz, it's not as if Elan Mehler is new to this, but if you didn't know and relied solely on his very personal annotation, you might think otherwise.He dedicates the album—the music—to his late mother who was a religious adventurer and traveler who he describes as "a mystic" whose collection of Sufi Mystical Islamic texts he... Read More

The mythology that has been purposefully built up around Goat is sparse but compelling. An anonymous masked voodoo collective playing psychedelic afrobeat-tinged rock, from a village called Korpilombolo in northern Sweden? It’s a nice yarn, and whether it is true or not seems irrelevant when the potency of the music itself blows away the need for a good origin story. (It turns out they actually are from northern Sweden.) If you have seen Goat perform live, you will... Read More

Trackingangle's purchased at retail copy of MoFi's "Thriller" arrived just the other day, but editor Michael Fremer was well-prepared for the review, having served as an expert witness in Quincy Jones's lawsuit against the estate of Michael Jackson. He'd spent a lot of time listening to the trio of Q produced Jackson albums.

Last year, when I reviewed the Yen Records holiday LP "We Wish You A Merry Christmas", a reader recommended another Japanese Christmas LP, simply titled 'Christmas Songs.' Released in 2010 by Ryuichi Sakamoto’s Commmons label, 'Christmas Songs' is a various artists LP of then-new recordings mostly of Christmas standards by a diverse range of artists, among them all three members of Yellow Magic Orchestra (albeit on separate tracks).... Read More

(This review, written by Glenn Hammett, originally appeared in Issue 7, Spring 1996.)Remember the supergroups? Sure you do! In the late 60s, if a musician had a successful backlog of material, or simply looked the part, he could combine his talent with others of similar rock-royalty status. After months of grooming and preparation, they would announce themselves to the world as the next best thing. Shortly thereafter, egos would flare and they’d break up (usually to... Read More

By the time “Rastaman Vibration” was released in 1976, Bob Marley had already released seven albums, the first four of which had limited distribution outside of Jamaica. “Catch a Fire,” his first for Island, released in 1973 with the famous Zippo lighter flip up jacket, was a big deal in American reggae-loving outposts like Boston, where the 1972 low budget film “The Harder They Come” starring Jimmy Cliff had been a major sensation running throughout the summer of... Read More