Music Reviews: Jazz

In a recently published New York Times piece titled "The Worst Masterpiece: 'Rhapsody In Blue at 100" the pianist/composer Ethan Iverson pilloried the popular Gershwin piece as "naïve and corny"—and those were among the nicer things he wrote about it. The online comments are worth reading but one published letter is wroth quoting here: "By calling the work 'the best cheesecake,' Mr. Iverson aligns himself with a long line of... Read More

Andrew Hill was one of the most remarkable jazz pianist-composers, a rare true original. His music is ripe with strange intervals, dissonant harmonies, and off-centered rhythms, yet the resulting sounds are riveting, often gorgeous. Imagine the lush tonal colors of Gil Evans, combined with the fierce cadences of Mingus and the jagged precision of Monk, and you get some idea of his music’s odd pleasures. Hill led a dozen recording sessions for Blue Note in the... Read More

While Rhino's "High Fidelity" series lacks a clearly identifiable direction or purpose—it seems to meander around the catalog without regard to time, place or purpose—there's one consistent strategy: each two record release has a rock title and a jazz title. Credit Rhino with chance-taking guts this round. Marquee Moon isn't exactly mainstream rock (though the reissue gives it that sound), and Ornette Coleman's music scares a lot of... Read More

The three Heath brothers, Jimmy, Percy and Albert formed their short-lived group in 1975 a year after The Modern Jazz Quartet gave its "final" performance at Carnegie Hall, November, 1974. Of course like many groups and solo artists, it wasn't really the MJQ's final performance and the group had been performing its "farewell" tour around the country all year, but for the time being following the Carnegie Hall appearance bassist Percy... Read More

That Swing Thing! by The Terry Gibbs Quartet (Verve V6-8447) released in 1961 was the record that got me on the vibes bandwagon. I bought it that year at E.J. Korvette's in Douglaston, N.Y. of the Long Island Expressway. I was too young to drive of course, so probably was taken there by my mother or sister. It's also where I heard for the first time Bobby Timmons' "Moanin'"— over a pair of Korvettes' XAM "housebrand"... Read More

Nat Hentoff's notes get directly to how this musical experiment might have easily gone awry: the unflappable, cerebral MJQ vibraphonist Milt Jackson meets Peterson's "abundant" style. Jackson never broke a sweat on stage, Peterson probably would have had he played the Arctic circle.Yet Jackson and The Oscar Peterson Trio seem made for each other on this musically satisfying, sonically enjoyable set. I've been listening to the original pretty... Read More

Phineas Newborn Jr. was one of the greatest jazz pianists, possessing an astonishing technical ability, a deep bluesy swing, and a complete mastery of jazz harmony. Pianist George Wein wrote, “the only pianist who has as great or greater command of the piano is Art Tatum.” Gene Harris, pianist of the Three Sounds, told Downbeat that Newborn was “…the greatest pianist playing today. In every respect, he is tremendous.” Teddy Wilson and Ray Bryant said his technique was... Read More

This past summer, I raved in this space about Craft Recordings’ vinyl reissue of the Bill Evans trio’s 1961 classic Waltz for Debby, hailing it as the best-sounding of all the album’s many pressings. Now Craft has released an LP of the companion recording, Sunday at the Village Vanguard, as, once again, part of the label's Original Jazz Classics series. It too is a great album, and the Craft reissue is very much worth getting; but this time around, comparisons... Read More

The Miles Davis Sextet was in San Francisco and had off the night of June 25th, 1962. Wes Montgomery was in town and with the rhythm section of Wynton Kelly, Paul Chambers and Jimmy Cobb, plus tenor saxophonist Johnny Griffin, played to a full house at Tsubo in Berkeley, California.The great recording engineer Wally Heider set up his gear in a storeroom behind the club, which, thanks to newspaper articles and word-of-mouth, overflowed with fans anxious to witness the... Read More

It’s that time of the year again. The holidays take so long to arrive and then disappear far too quickly. Most music lovers have a complicated relationship with the sounds of the season. While some folks can’t wait for their local radio stations to switch over to an all holiday music format, others - myself included - find ourselves thoroughly exhausted by those relentless playlists come December 26th. It’s not that there’s a problem with holiday music because there... Read More

“Say hello to Caelan Cardello,” Rufus Reid, whose voice sounds about as deep as his upright bass, announces midway through the first side of this album. Hello, Caelan! And congratulations!This wonderful LP, the first that Cardello has recorded, arrived a few months ago and has been in regular rotation, as the saying goes, on my TechDas Air Force Zero. Hand-delivered to me in Washington, DC by Michael Fremer--the proprietor of this website, veteran audio reviewer and... Read More

Producer Nesuhi Ertegun suggested to Charles Mingus that he record a blues album. Obviously not a "my woman done up and left me" kind of "woe is me" blues album, but rather one that plied the dark, turbulent but often joyful waters in which Mingus navigated.In one interview with Ertegun Mingus said, “What I’m trying to play is very difficult, because I’m trying to play the truth of what I am. The reason why it’s difficult — it’s not difficult to... Read More

Backed by the all-star rhythm section of drummer Johnathan Blake, bassist Joe Martin and veteran pianist Kenny Barron, saxophonist Jerome Sabbagh steps up to the microphone and puts to analog tape his finest, most fully realized recorded musical performances. The quartet meshes as if it's been touring all year.The album title and title track as well as the cover and rear photos telegraph that what you'll be hearing is strictly "old school" straight... Read More

Just in time for the holidays, A Lovesome Thing—pianist Geri Allen and guitarist Kurt Rosenwinkel playing duets at the Philharmonie de Paris on Sept. 5, 2012, for nearly an hour, five tunes, mainly standards, unrehearsed—is a welcome and ravishing balm.The two had played together just once before—the previous July, when Allen briefly sat in with Rosenwinkel’s quartet at the Jazz Standard—and never together as a duo. Yet they make a perfect fit, Allen’s lush chords,... Read More

Sullivan Fortner is best known as singer Cécile McLorin Salvant’s main pianist, but he was dazzling New York jazz aficionados for a few years before that gig materialized, and, like Salvant, he keeps getting better—more imaginative, more ambitious, more open to taking big risks. His latest, Solo Game (Artwork Records), is two very different albums in a single two-CD set. The first, Solo, is an acoustic-piano solo session, covering a wide array of jazz and pop... Read More

Recorded in 1961 and released in 1962, Mosaic comes from an immensely prolific period of Art Blakey and The Jazz Messengers. Although the group’s lineup changed frequently, from mid-1961 through early 1964 it was unusually stable. The band was also one of Blakey’s very best: Wayne Shorter on tenor, Freddie Hubbard on trumpet, Curtis Fuller on trombone, Cedar Walton on piano, and Jymie Merritt on bass. The only change was when Reggie Workman replaced Merritt in 1962,... Read More