Vinyl Me Please could have had a home run with this beautiful-sounding and essential reissue, but fails miserably with an ugly cover sourced from a late '80s-era compact disc.

Cohearent Recording, Kevin Gray's new living room studio, which he jokingly calls "Hackensack West" was the venue for this, the first record released on Cohearent Records. The all-analog all-vacuum tube recording chain used to produce sound every RVG fan will swoon from was outlined in a video Gray recently posted on YouTube we've embedded here. So-Cal based jazz saxophonist/educator Kirsten Edkins, who's played in Bill Holman's Big Band,... Read More

Patricia Barber albums take up a lot of shelf space real estate here. Over the years her many albums have been issued and reissued on vinyl with every reissue sounding better than the previous one, though of course Jim Anderson recorded all of them digitally. Nightclub was recorded to 3348 multi-track and mixed through a Neve analog desk to both digital and analog mix down masters. Anderson said in an email that "....we've always run digital and analogue on... Read More

Frank Kimbrough, who died in December 2020 at the age of 64, was one of the great undersung jazz pianists of our time and an only-belatedly-appreciated composer of much talent as well. (Soon after his death, Newvelle Records assembled 67 musicians, in various ensembles, to play 58 of his pieces, many of which had the ring of standards. The resulting download-only album, "Kimbrough," was one of the best jazz albums of 2021.) Now Palmetto Records, his main... Read More

The pianist-composer Marta Sanchez has lived and actively worked in New York since moving here from Madrid in 2011; but, despite four albums as a leader and wide respect from fellow artists, she’s not nearly as well-known as she should be.Her latest album, SAAM (Spanish American Art Museum), on Whirlwind Recordings, available as a CD and as three sides of vinyl (2 LPs, one of them blank on one side), is a stellar display of her talents. She leads a standard jazz... Read More

In April 1958, Lester Young moved into the Hotel Alvin, a seedy hotel at the corner of Broadway and Fifty-Second street in New York City, which, because it was cheap, was home to many musicians. Lester owned a house on Long Island in which his wife and two children lived but the Alvin was directly across the street from Birdland, and that was where Lester wanted to be.Lester wasn’t playing at Birdland or any of the other major clubs in Manhattan. His chronic... Read More