Music Reviews

Batch #7 of the Original Source Series from Deutsche Grammophon turns to a long established classic of the DG catalogue. Karl Böhm was the great Mozartian of his age, and his many recordings of the composer's orchestral, choral and operatic music have been mainstays for decades. Remastered and recut directly from the 4-track master tapes, this handsome reissue casts Böhm's account in a new sonic light.

Jason Palmer isn’t as well-known as he should be, perhaps because he’s lived and taught in Boston for the last 20 years or so, whereas jazz, to the extent it’s promoted at all, tends to be New York-centric. He’s a trumpeter at once fiery and smooth-toned, dexterous and contemplative, equally emotive and virtuosic with chromatic flurries and balladic whole notes.He's in high demand when he’s not teaching at Berklee and the New England Conservatory, having... Read More

Batch #7 of the Original Source deluxe vinyl reissue series from Deutsche Grammophon (all mastered and cut DIRECTLY from 4 and 8-track master tapes by Emil Berliner Studios) kicks off with an established catalogue classic. The young firebrand conductor Michael Tilson Thomas, protégé of Leonard Bernstein, made his mark early with a series of acclaimed recordings for DG in the 1970s, and this Tchaikovsky 1st - at the time a work that was rarely recorded - may be the most celebrated of them all.

Until Katy Lied, the "commercial" $29.99 Steely Dan reissues were cut using Bernie Grundman mastered digital files. All of the previous Dan albums therefore should have sonically resembled the UHQR 45rpm versions issued by Analogue Productions. None did. All sounded D.O.A. They were cut by a lesser known, let's say "second tier" Long Island, N.Y. based mastering engineer. Was the problem the quality of his cutting system? After all, a lacquer... Read More

By 1971, Yes had became synonymous with "progressive rock". After executing an array of rearranged covers and hybrids of blues and jazz on its first two albums (Yes and Time and a Word), the release of The Yes Album laid down the foundation for the group's “golden run”, which ran up until the mid-1970s. Tracks like “Yours Is No Disgrace,” “Starship Trooper,” and “I’ve Seen All Good People” were quick to become repertoire staples of their now 50+ year... Read More

Once upon a time, when great recording studios were a “thing”, long before they became almost extinct—when no one thought such a thing was even possible—studio owners and sound conscious musicians competed with one another to find new and improved recording technology.“Improved” came in many guises, some of which turned out to be worse. For instance, in the mid-1970s, the Aphex Aural Exciter grabbed the attention of both studio owners and musicians. It did what the... Read More

Repertoire both familiar and welcomingly unfamiliar is put through its paces by this nascent collaboration between one of the world’s top orchestras with its dynamic new Chief Conductor.  This gorgeously appointed set is not only a compelling snapshot of a new musical era at the Philharmonie, it’s also a great way for classical novices to introduce themselves to an eclectic range of music in first-rate performances. 

There's a misconception among some that King Crimson was Robert Fripp centered around a revolving door of personnel. The group's ever-changing style followed a new age philosophy of the music finding its players, leading to constant reinvention and being purely progressive. By the mid-1970s, King Crimson’s third lineup consisted of guitarist Robert Fripp, bassist/vocalist John Wetton, violinist David Cross, and percussionist Bill Bruford. This incarnation’s... Read More

The jacket is for a mono record so guess what? I played this record using a mono cartridge. Someone, (I thought in a comment but now I don't see it) claimed the recording was in stereo so upon returning from a trip to Seattle I played it using a stereo cartridge and? Yes, it's a fine stereo recording! Fine in that RVG kept it "natural", using stereo simply to produce space. Collapsing it to mono either with a mono cartridge or a "mono"... Read More

1971 was a pivotal year for R&B/soul music. Stevie Wonder's Where I'm Coming From was released in April. Marvin Gaye's What's Going On was released in May. Maggot Brain by Funkadelic was released in July, Curtis Mayfield's Curtis in September, and Sly's There's a Riot Goin’ On in November. All of these albums were entirely composed of original music and expressed the disappointment, despair, and anger of young Black people living... Read More

In 2019 Yuya Uchida, the father of rock & roll in Japan, passed away at age 79. Uchida was not an instrumentalist, and he never found fame as a singer, but his fingerprint was on much of the guitar-driven music infecting Japan from the late 1950s through the early 1970s. After a brief career releasing some early Elvis-inspired rock and roll singles at the dawn of the 60s, his passion was reinvigorated when the Beatles came to Tokyo in 1966 to perform five nights... Read More

Of all the '60s era artists that expanded their craft to unfathomable heights, The Velvet Underground was arguably the most adventurous. Few if any other contemporaries sought to work in unorthodox approaches to both instrumentation (drones, detuned guitars, and distortion) and subject matter (drug use, S&M, and prostitution). These approaches appear prominently on their first two albums, The Velvet Underground & Nico and White Light/White Heat. A key... Read More

The trio of pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian is one of the most influential in jazz, yet the group laid down just three recording sessions over an 18-month period from December 1959 till June 1961--two studio sets (which formed two separate albums, Portrait in Jazz and Explorations) and one live date (spread out over two albums, Waltz for Debby and Sunday Afternoon at the Village Vanguard). The live albums, which rank as the best... Read More

Reading the press release while listening to this effervescent, ornately orchestrated instantly likable set of new, yet nostalgic tunes, it wasn't surprising to discover that modern day "crooner" L.C. Franke's musical roots at least for this record were anchored in his grandmother Elsie's "dusty" record collection (crooner in quotes because his singing style is more straightforward, though the tunes and arrangements could be used by... Read More

Rarely does regret sound so affirming, loss so found, emptiness so filling, distance so near and dated so au courant as do those dark sentiments on this collection of woe filled songs that though relentlessly morose, somehow bring to the listener peace and resolve.Though the Welch/Rawlings musical style remains fixed in mountain balladry and many of the themes are timeless, there's modernity too in "Hashtag"—an unrelentingly down road song about chasing... Read More

Imagine a young Miles Davis fan's excitement back in 1973 spying a new compilation titled BASIC MILES The Classic Performances of Miles Davis (C32025) only to find that it was a seemingly haphazardly chosen set of tracks, and worse, that the asterisked ones had been "Electronically Re-Recorded to Simulate Stereo". But reading the discography on the jacket before putting it back in the bin, the second track "Stella By Starlight" listed the... Read More

Impex Records releases a new 1step, 45-rpm remastering of Sing and Dance with Frank Sinatra, one of Sinatra's most important albums yet one that is often neglected despite the fact that it occupies a watershed place in his development as a singer and recording artist.

In old school animation—the way Disney and Warner Brothers did it way back when— rough drawings of the action were sketched on paper by the animators, who then flipped through the pages to see what they've drawn come to rough life. Once these roughs met with their approval they handed them off to secondary animators usually referred to as "in-betweeners" who produced the drawings that go in between what the animators hand them, thus producing the... Read More

This beautifully designed and annotated set appeals to seasoned classical collectors and newbies alike with its gripping performances of three of the master symphonist’s most compelling works in outstanding sound and video.  Amidst all the tinsel and seasonal levity, give this set serious consideration.