September 10th, 2024
Stone Temple Pilots Got Experimental on “Purple” Plenty of surprises on this Analogue Productions/ATL75 pressing By: Dylan PegginThough not a descendant from grunge’s Seattle headquarters, San Diego’s Stone Temple Pilots was a force to reckon with. Its take on the genre by emphasizing 70s-based hard rock with hints of psychedelia and jazz allowed it to protrude and distinguish itself from masses of flannel. The debut album, 1992’s Core, wove into grunge lore with four hit singles and sales in America alone of over 8 million copies. After its first worldwide tour and a hyped appearance on MTV’s... Read More
Comments: 3September 9th, 2024
Frank Zappa’s Stewards Give Apostrophe (’)’s So-So Mix A Superb Remaster GIVEN WHAT THEY HAD TO WORK WITH, HOW MUCH BETTER COULD IT BE? By: Morgan EnosMichael Fremer has misplaced his 1974 pressing of Frank Zappa’s Apostrophe (’), so he got a friend to hook him up with a loaner. When we pulled out the dust sleeve: Great googly moogly!“Rick, I’m tierd [sic] of you putting me down all the time. You do’nt [sic] know how much you hurt me,” begins a ballpointed breakup screed, from one Nancy. Reader, it’s a rough one: “All I ever here [sic] from you is that I’m fat, and ugly … I’m sick of you calling me a slut … You have... Read More
Comments: 12September 5th, 2024
Lee Morgan's Delayed Release Oddity Gets a Tone Poet Turn And a new "Blue Note"-y cover By: Michael FremerWhile this is admittedly a simplification, Tone Poet Blue Note releases come in a few basic musical flavors: the "must have" ones that even non-jazz fans know by name, the great ones that when originally released couldn't find an audience but now are more popular and well-appreciated than ever, the head scratcher delayed release ones that have fans wondering how and why the label didn't issue them when originally recorded, and finally the delayed... Read More
Comments: 13August 30th, 2024
A Digital Dance from Esoteric Japan Reviewing another take on a longstanding orchestral war horse By: Michael JohnsonThere’s a certain romance about audio and vinyl from Japan. For equipment there is a well-deserved reverence for the build quality and commitment to excellence from the engineers, and for vinyl records we’ve long been fascinated by boutique audiophile pressings from the island nation, particularly I’ve long held a steadfast love for King Records’ “Super Analogue Series” of Decca classical reissues.Classical vinyl reissues from Japan have unfortunately dried up over... Read More
Comments: 19August 27th, 2024
Yes Forged Ahead with "Relayer" The beginning of the end of their classic run? By: Dylan PegginAmongst contemporaries like King Crimson and Genesis, Yes had more than enough going for it to stand out from the crowd. The combination of Jon Anderson’s angelic falsetto and abstract lyrics, Chris Squire’s lead-like bass runs, Steve Howe’s experimental guitar explorations, Rick Wakeman’s classically-inspired keyboard flourishes, and Bill Bruford’s percussive jazz fills encompassed the trappings of progressive rock at its most potent. Yes spent first half of the... Read More
Comments: 5August 24th, 2024
A Double LP Of "XO" Does A Tremendous Disservice To Elliott Smith limited to 4000 numbered copies—part of Interscope Vinyl Collective subscription series By: Morgan EnosElliott Smith’s 1998 major label debut, XO, isn’t as vibey as its predecessor, 1997’s Either/Or. Nor is it as laser-focused as its follow-up, 2000’s Figure 8 — the Sgt. Pepper... to XO’s Revolver.Still, XO is special. It captured a crucial creative flowering for the late Smith, where an artist known for lo-fi hyper-intimacy strolled into a succession of L.A. studios with a head full of new sounds, and the confidence to let them loose. And a large handful of its songs... Read More
Comments: 3August 22nd, 2024
Does the UHQR "L.A. Woman" Really Beat the Artisan Sound Recorders Original? dowel box detesters and "I don't want to get up four times" whiners diffused! By: Michael FremerArtisan Sound Recorders masterings from "back in the day" were and are held in the highest esteem, kind of like "RL STERLING" (or any Sterling). For instance, if you want the best version of Exile on Main Street you want one with the Artisan stamp on it. The original L.A. Woman has the Artisan stamp.An original L.A. Woman pressing sounds great as anyone who owns one knows. It's arguably the best sounding Doors album. I have two and both also... Read More
Comments: 17August 20th, 2024
Josh Moshier Explores the Semi-Permanent An Interview and Review About His First Solo Album - "Semipermanence" - and Composing Career By: Evan TothToday, it’s rare to discover music without any prior knowledge of it. We usually have some vague sense of the genre, sound, or artist. But, I had no idea what to expect from Joshua Moshier before the needle hit his debut album’s grooves. It quickly became clear to me that Moshier is an exceptionally talented musician. And I further learned that he’s an Emmy-nominated composer, songwriter, and pianist who has crafted music for series, films, interactive media, and the... Read More
Comments: 2August 15th, 2024
Early "Daze" Neil & Crazy Horse with Jack Nitzsche Is a Great Horse Compilation yes, mostly for hardcore fans By: Michael FremerIt seems like the only notifications in my inbox that come more often than Democratic Party money begs are Warner Records announcements of new Neil Young Archive releases. It's hard to keep up and so many are so good. Very little filler. There are 198 tracks in the upcoming Archives Vol. III (1976-1987) and I'v been sorting through that, though there won't be vinyl. Understandable! This recent one deserves your attention if you're a true Neil and... Read More
Comments: 4August 15th, 2024
Robinson's "Smokey" Reissue Doesn't Smolder Elemental Music Takes on Motown Classics, Smokey's Solo Debut is in the First Batch By: Evan TothBarcelona-based Elemental Music has secured a significant deal with Motown Records to reissue a selection of classic albums from the iconic label's catalog. Dubbed the Motown Sound Collection, the series will feature over twenty titles. Jordi Soley, the founder of Elemental Music and producer of the project, explains, “For many of the albums that we’ll be putting out throughout 2024 and into 2025, it will be their first reissue since their original release.... Read More
Comments: 0August 15th, 2024
A Swinging Quarter Century Old Jazz Vocal Album' Premier Vinyl Release recorded in 1998 to two inch analog tape By: Michael FremerThis album arrived in the mail featuring jazz vocalist Teri Roiger, her husband and bassist John Menegon, both unfamiliar to me, plus always a joy to enjoy, Jack DeJohnette and Kenny Burrell (drums and guitar, but you already knew that). How this session happened—have DeJohnette and Burrell ever played together previously or ever again?—I don't know. But once I played it and heard Roiger's vocals I think I understood why those two did the gig, why I needed... Read More
Comments: 0August 8th, 2024
David Murray Teams Up with Questlove (and analog tape) The jazz master saxophonist stretches out with new improv-mates By: Fred KaplanDavid Murray was the tenor saxophonist of the 1980s and ‘90s, first as junior member of the World Saxophone Quartet, among the most innovative jazz groups of the era, then as leader of a dozen different ensembles of varying size, from duets to big band and everything in between, playing a range of music (much of it self-composed) from frenzied avant-garde to swooning ballads, his solos sweeping arpeggios in pleasingly jarring intervals laced with Sapphiric blue notes,... Read More
Comments: 0August 6th, 2024
'Opus': Ryuichi Sakamoto's Final Departure The summation of a life's work By: Malachi LuiRyuichi Sakamoto once again sits down at a Yamaha piano in NHK’s Tokyo studio. Microphones and cameras are set up as normal, just like the other times he’s played here. He performs 20 compositions, alone as usual by now. The result, Opus, was at least the third time this decade that he filmed (and saved) a solo piano performance.Yet these sessions in late 2022 were the composer’s final performances of the repertoire that over nearly five decades built, cemented, and... Read More
Comments: 0August 4th, 2024
Chick Corea's Elektric Band Takes a Final Bow on "The Future is Now" The Jazz Fusion Experts Go Out With a Standing Ovation By: Evan TothProg rock and jazz fusion both have an otherworldly quality. I’ve never seen either live, so listening to recordings created with the intense discipline, musicianship, and complexity these styles demand, I’m often amazed that real people are behind the instruments. If you feel that way, you’ll find the late Chick Corea’s Elektric Band's latest live album, The Future is Now (Candid), a mostly accessible showcase of high-level musicianship combined with... Read More
Comments: 0August 1st, 2024
Bad Company's Debut Set Paul Rodgers Free but Free fans had mixed feelings By: Michael FremerFree was one of the great unappreciated late '60's era rock bands. Sure, they had a hit with "All Right Now", but like Stealers Wheel with "Stuck in the Middle", that song is catchy with a barbed hook, but that's about all. Free was a band that simmered: dark, brooding, deep and thoughtful. The albums leading up to Fire and Water didn't sell, and Highway, the one following the big seller, flopped too. The group did better in the... Read More
Comments: 16July 30th, 2024
How Deep Into "Mind Games" Do You Want to Get? this box set goes to the album's limbic system By: Michael FremerThe first question you have to ask yourself before buying any of the three iterations of this album is how much do you like it? The second question to ask is how much do you wish to know about it? How deep a dive do you wish to take?UMe recently held a press event at the Dolby screening room in New York City in which the Atmos mix was played and many of the musicians were on hand for a Q&A. Jim Keltner was on the road with Bob Dylan so he appeared in a live video.... Read More
Comments: 16July 26th, 2024
With Songwriting and Imagination Patrick Leonard Transcends "The Audiophile Album" (review forward by Michael Fremer) By: Morgan Enos
Because I was involved in the vinyl production of this record (credited as “Vinyl Shepherd”) I didn’t feel it appropriate to review it. So I enlisted Morgan Enos to do it. Mr. Enos’s partial resume: “Former Staff Writer at GRAMMY.com. His features, essays, and interviews, which encompass jazz, classic rock, hip-hop, and other spheres, have also appeared in Fortune, Billboard, JazzTimes, uDiscover Music, and other platforms”. The album debuts today with pre-orders on the familiar sites including the “buy now” button at the review bottom, where you can get more details.
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