Music Reviews

Louis Hardin, who renamed himself Moondog, was one of the most unusual composers of the 20th century. Tall, bearded, and blind from a childhood accident involving fireworks, he spent much of the 1960s living on the streets of New York City, often standing ramrod straight at the corner of West 54th Street and 6th Avenue, dressed in square-patch clothing of his own making, his head cased in a Norse helmet (some dubbed him “the Viking of 6th Avenue”), playing his music,... Read More

Sub-genres aside, Green Day can be considered one of the elder statesmen of punk. The Bay Area punk rockers have been in the game for 35 years and are marginally responsible for bringing the DIY aesthetics of punk into the mainstream forefront. Albums like Dookie, Insomniac, and Nimrod established Green Day’s unique sound of power chords, melodic vocals, and fast tempos. Instead of the group growing with only its core audience, they crossed a musical threshold with... Read More

Court and Spark, Joni Mitchell's best selling album, originally released 50 years ago yesterday (January 17th 1974) was preceded by a series of well-recorded by Henry Lewy demos that Rhino and the Joni Mitchell Archives say were "newly unearthed". The record was released on RSD Black Friday November 24th, 2023. Copies are easy to find on Discogs.A friend told me it's a "must have" so I ordered one. He was correct. Hearing these songs in... Read More

While Rhino's "High Fidelity" series lacks a clearly identifiable direction or purpose—it seems to meander around the catalog without regard to time, place or purpose—there's one consistent strategy: each two record release has a rock title and a jazz title. Credit Rhino with chance-taking guts this round. Marquee Moon isn't exactly mainstream rock (though the reissue gives it that sound), and Ornette Coleman's music scares a lot of... Read More

The three Heath brothers, Jimmy, Percy and Albert formed their short-lived group in 1975 a year after The Modern Jazz Quartet gave its "final" performance at Carnegie Hall, November, 1974. Of course like many groups and solo artists, it wasn't really the MJQ's final performance and the group had been performing its "farewell" tour around the country all year, but for the time being following the Carnegie Hall appearance bassist Percy... Read More

Alright, Las Vegas, let’s lose our money and lose our minds!On September 20, 2003, The White Stripes took hold of Sin City and rocked it into oblivion. The Detroit garage rock duo blitzed through a setlist of familiar favorites, such as “Hotel Yorba” and “Fell in Love With A Girl.” Their then-new album, Elephant, took precedence with blistering renditions of “The Hardest Button to Button” and “Black Math.” The show caught its breath once drummer Meg White stepped away... Read More

That Swing Thing! by The Terry Gibbs Quartet (Verve V6-8447) released in 1961 was the record that got me on the vibes bandwagon. I bought it that year at E.J. Korvette's in Douglaston, N.Y. of the Long Island Expressway. I was too young to drive of course, so probably was taken there by my mother or sister. It's also where I heard for the first time Bobby Timmons' "Moanin'"— over a pair of Korvettes' XAM "housebrand"... Read More

[Note: “Playback on other websites has been disabled by the video owner.” Therefore, to open up this YouTube video in another window, please click HERE.]In 1973, Joni Mitchell wrote the song “A Free Man in Paris,” which, at the time, I found somewhat confusing. The confusion remained until I later learned that Mitchell had written the lyrics from the perspective of her friend David Geffen, the legendary music agent and promoter. So, it was not Joni herself who was... Read More

Nat Hentoff's notes get directly to how this musical experiment might have easily gone awry: the unflappable, cerebral MJQ vibraphonist Milt Jackson meets Peterson's "abundant" style. Jackson never broke a sweat on stage, Peterson probably would have had he played the Arctic circle.Yet Jackson and The Oscar Peterson Trio seem made for each other on this musically satisfying, sonically enjoyable set. I've been listening to the original pretty... Read More

Best known for the cover of Chet Powers' (stage name Dino Valenti) anthemic "Get Together" found on the group's eponymous Felix Pappalardi produced 1967 debut album and later as the launch pad for Jesse Colin Young's fizzled solo career, The Youngbloods never got the much deserved recognition for its three smooth, dreamy, well-crafted rock-folk-jazz albums released by RCA between 1967 and 1969, the last and best one being this one, Elephant... Read More

The first Shakti album in 46 years is miraculous for a few reasons, the first being a "mind-body" cure for John McLaughlin's arthritic hand that had forced his 2017 retirement. The second is that though McLaughlin considers Shakti primarily a live band, this release was "phoned in" from various continents where the group members were living at the time. Not a problem for three of them—McLaughlin, percussionist Zakir Hussein and vocalist... Read More

By 1973, things were starting to come together for Genesis. The classic lineup of vocalist Peter Gabriel, guitarist Steve Hackett, bassist Mike Rutherford, keyboardist Tony Banks, and drummer Phil Collins embarked on a string of albums, 1971’s Nursery Cryme and 1972’s Foxtrot, that would go down to define the ethos of progressive rock. These albums exemplify Genesis’ liberating drive to incorporate European classical elements into multi-segment compositions with... Read More

The turn of the millennium was a promising time for The Donnas. Churning out an album a year, consecutive tours and placements in film soundtracks established a respectable platform for the Palo Alto female rockers fresh out of high school. The steady productivity, both on and off the road, allowed the girls to evolve. The female Ramones stylings of their self-titled debut and the sleazier glam rock sound of American Teenage Rock ‘n’ Roll Machine are almost total... Read More

Phineas Newborn Jr. was one of the greatest jazz pianists, possessing an astonishing technical ability, a deep bluesy swing, and a complete mastery of jazz harmony. Pianist George Wein wrote, “the only pianist who has as great or greater command of the piano is Art Tatum.” Gene Harris, pianist of the Three Sounds, told Downbeat that Newborn was “…the greatest pianist playing today. In every respect, he is tremendous.” Teddy Wilson and Ray Bryant said his technique was... Read More