Music Reviews: Vinyl

The Incredible Jazz Guitar of Wes Montgomery, with Tommy Flanagan on piano and brothers Percy and Albert Heath on bass and drums, was the album that introduced electric guitarist John Leslie (Wes) Montgomery to the jazz world. It was recorded at Reeves Sound Studios in New York City on January 26 and 28 in 1960, when he was 35 years old. The album is now considered by many fans and critics to be the pinnacle of his recorded studio work, and it has influenced everyone... Read More

This is a solo jazz guitar album by one of the all-time best. If you’ve found your way here, it would be difficult to not like the scenery. But, you buy the ticket; you take the ride. As a result, some casual listeners may feel like they merely transacted with Joe. However, most will see this as a true gift. The name and the title tell you everything you need to know: Joe was a master and this, his tenth album and a first for Pablo Records in 1973, finds him at the... Read More

Scandinavians playing Dixieland/trad jazz is not my idea of a great musical treat—I don't care how well it's recorded and that's why though I've got a copy of the audiophile classic Jazz at the Pawn Shop and concede that it is among the greatest sounding jazz recordings ever, I can't remember that last time I listened to it.This record from Swing' Gate is something else, though it too treads in trad jazz land, because its leader, pianist... Read More

Like Song Cycle, Van Dyke Parks' ambitious 1967 debut, Lotti Golden's 1969 debut Motor-Cycle flopped when first released, but over the years both have gained cult followings and now finally Golden's gets a well-deserved reissue courtesy High Moon Records.The comparison may seem bizarre to anyone familiar with both (the "cycle" in both album titles has nothing to do with it), but as record biz tragi-stories they are surprisingly similar, though... Read More

Lightnin’ Hopkins was many things — a hauntingly personal guitarist, a casually riveting storyteller, and as the country blues tradition goes, a figure of resounding influence. Every scrape of a string, every craggy vocalization, every ribald bon mot, seemed to spring from the Texas soil itself. To put it plainly, the bluesman was real — about as real as it gets.From the ‘40s until his 1982 death, Hopkins weathered his share of peaks and valleys, as tastes ebbed and... Read More

It was just a few short weeks ago that our own Mark Ward reviewed the upcoming DG Original Source reissue of Karl Bohm’s 1971 outing of W.A. Mozart’s Requiem. If you would like a primer on the work, and also on separating your understanding of Mozart from the entertaining, but fictionalized tale presented in the film Amadeus, I would highly recommend reading Mark’s article here.The core repertoire of the classical cannon is rich with different recordings and... Read More

There wasn’t a better time than the early 2000s for a band to break through like The Donnas. After honing their craft on their first four albums on the independent punk label Lookout Records, the big leagues at Atlantic Records signed the female quartet. Between the release of the Spend The Night album, “Take It Off” becoming their signature track, and placements in film and video game soundtracks, they managed to break into the mainstream, brandishing a hard rock... Read More

A musical and sonic spectacular, k.d. lang's free-flowing, daring explorations of unrequited love/lust and liberation sound today as daringly personal, sometimes painful and always fresh as they did in 1992 when Ingénue was originally released to enthusiastic reviews, commercial success and multiple Grammy nominations and the well-deserved award for Best Female Pop Vocal Performance. Freed from her "country roots" on earlier records, Ingénue was a mix... Read More

Batch #7 of the Original Source Series of AAA vinyl reissues concludes with one of the gems of the 70s DG catalogue in a stunning sonic refresh, courtesy of Emil Berliner Studios, mastered and cut directly from multiple 8-track master tapes.  Don’t miss this one - even if you do not normally buy classical.

Batch #7 of DG’s Original Source vinyl reissues, mastered and cut directly from 4-track master tapes at Emil Berliner Studios, gets up close and personal in Scriabin’s masterpiece of sensual overload, and Tchaikovsky’s evergreen ode to forbidden love.

These two new works, "Fillmore Street" and "Little Wordstar", scored for jazz orchestra and studio orchestra respectively, recall people places of personal significance to the composer and reference ecological themes of climate change, global warming, and endangered species.

On January 15, 1959, when John Coltrane recorded the album Bags & Trane at Atlantic Studios in New York City with Milt Jackson, he was nearly at the end of the sideman-apprentice stage of his career. For two years, he had been playing with the Miles Davis Quintet/Sextet, one of the most successful groups in jazz. His time with Miles had been controversial. Part of jazz's audience and its critical establishment were never happy with the innovative nature of... Read More

As a record, Ray Charles’ Modern Sounds in Country and Western Music holds up just fine. But as an idea? It may be one of the most beautiful we ever had.The story is a familiar one, as far the American musical mythos is concerned: Back in 1962, at the flashpoint of the civil rights movement, Charles recorded 12 standbys originally by Hank Williams (“You Win Again,” “Hey, Good Lookin’,”) Don Gibson (“I Can’t Stop Loving You”), and other luminaries of the tradition.Six... Read More

The Electric Recording Company (UK) release of Lightning Hopkins' «Goin' Away», recorded by Rudy Van Gelder in 1963, is not the kind of reissue that will impress all audiophiles. Other, far cheaper versions have more dynamics and a more brightly lit soundstage. But the ERC version is a very convincing, and very expensive, time machine.

Batch #7 of the Original Source Series from Deutsche Grammophon turns to a long established classic of the DG catalogue. Karl Böhm was the great Mozartian of his age, and his many recordings of the composer's orchestral, choral and operatic music have been mainstays for decades. Remastered and recut directly from the 4-track master tapes, this handsome reissue casts Böhm's account in a new sonic light.

Batch #7 of the Original Source deluxe vinyl reissue series from Deutsche Grammophon (all mastered and cut DIRECTLY from 4 and 8-track master tapes by Emil Berliner Studios) kicks off with an established catalogue classic. The young firebrand conductor Michael Tilson Thomas, protégé of Leonard Bernstein, made his mark early with a series of acclaimed recordings for DG in the 1970s, and this Tchaikovsky 1st - at the time a work that was rarely recorded - may be the most celebrated of them all.

Until Katy Lied, the "commercial" $29.99 Steely Dan reissues were cut using Bernie Grundman mastered digital files. All of the previous Dan albums therefore should have sonically resembled the UHQR 45rpm versions issued by Analogue Productions. None did. All sounded D.O.A. They were cut by a lesser known, let's say "second tier" Long Island, N.Y. based mastering engineer. Was the problem the quality of his cutting system? After all, a lacquer... Read More

By 1971, Yes had became synonymous with "progressive rock". After executing an array of rearranged covers and hybrids of blues and jazz on its first two albums (Yes and Time and a Word), the release of The Yes Album laid down the foundation for the group's “golden run”, which ran up until the mid-1970s. Tracks like “Yours Is No Disgrace,” “Starship Trooper,” and “I’ve Seen All Good People” were quick to become repertoire staples of their now 50+ year... Read More