Music Reviews: Vinyl

Transitioning from the ‘70s to the ‘80s wasn’t easy for Ozzy Osbourne. The Birmingham-born vocalist found himself without a band when the members of Black Sabbath ousted him due to his heightened substance issues. Stuck in a drug-and-booze haze for three months at a Los Angeles hotel, salvation came in the form of his manager and future wife, Sharon Arden, who encouraged Osbourne to pursue a solo career. The impact of his first two solo albums, Blizzard of Ozz and... Read More

The story behind this "forgotten" release and re-release is interesting, but not nearly as interesting as the music, which is a refreshing turn in a world of "undiscovered gems" that often turn out to be undiscovered for good reasons and not gems at all. Downbeat critic Ira Gitler gave Matador a well-deserved very positive review when it was first released in 1963 (Dorham was also for a time late in his life a Downbeat critic). Two things... Read More

In a recently published New York Times piece titled "The Worst Masterpiece: 'Rhapsody In Blue at 100" the pianist/composer Ethan Iverson pilloried the popular Gershwin piece as "naïve and corny"—and those were among the nicer things he wrote about it. The online comments are worth reading but one published letter is wroth quoting here: "By calling the work 'the best cheesecake,' Mr. Iverson aligns himself with a long line of... Read More

Andrew Hill was one of the most remarkable jazz pianist-composers, a rare true original. His music is ripe with strange intervals, dissonant harmonies, and off-centered rhythms, yet the resulting sounds are riveting, often gorgeous. Imagine the lush tonal colors of Gil Evans, combined with the fierce cadences of Mingus and the jagged precision of Monk, and you get some idea of his music’s odd pleasures. Hill led a dozen recording sessions for Blue Note in the... Read More

Everyone reading this site has by now probably heard about Rhino High Fidelity’s controversial reissue of Television’s landmark 1977 debut Marquee Moon. This latest edition sounds good but nothing like the original, which raises the question: what's the difference between good and bad mastering? And who's responsible?

Is it a "conflict of interest" to review a record mastered by a Tracking Angle writer? I could care less. This is mastering engineer Dave McNair's second pass on Kiko, Los Lobos' best selling (other than the La Bamba soundtrack) and arguable best album. Though recorded analog and mixed to 2 inch 30IPS tape, It was originally released domestically on CD only in 1992 during vinyl's sunset fade. It got a digitally sourced European release that... Read More

Louis Hardin, who renamed himself Moondog, was one of the most unusual composers of the 20th century. Tall, bearded, and blind from a childhood accident involving fireworks, he spent much of the 1960s living on the streets of New York City, often standing ramrod straight at the corner of West 54th Street and 6th Avenue, dressed in square-patch clothing of his own making, his head cased in a Norse helmet (some dubbed him “the Viking of 6th Avenue”), playing his music,... Read More

Sub-genres aside, Green Day can be considered one of the elder statesmen of punk. The Bay Area punk rockers have been in the game for 35 years and are marginally responsible for bringing the DIY aesthetics of punk into the mainstream forefront. Albums like Dookie, Insomniac, and Nimrod established Green Day’s unique sound of power chords, melodic vocals, and fast tempos. Instead of the group growing with only its core audience, they crossed a musical threshold with... Read More

Court and Spark, Joni Mitchell's best selling album, originally released 50 years ago yesterday (January 17th 1974) was preceded by a series of well-recorded by Henry Lewy demos that Rhino and the Joni Mitchell Archives say were "newly unearthed". The record was released on RSD Black Friday November 24th, 2023. Copies are easy to find on Discogs.A friend told me it's a "must have" so I ordered one. He was correct. Hearing these songs in... Read More

While Rhino's "High Fidelity" series lacks a clearly identifiable direction or purpose—it seems to meander around the catalog without regard to time, place or purpose—there's one consistent strategy: each two record release has a rock title and a jazz title. Credit Rhino with chance-taking guts this round. Marquee Moon isn't exactly mainstream rock (though the reissue gives it that sound), and Ornette Coleman's music scares a lot of... Read More

The three Heath brothers, Jimmy, Percy and Albert formed their short-lived group in 1975 a year after The Modern Jazz Quartet gave its "final" performance at Carnegie Hall, November, 1974. Of course like many groups and solo artists, it wasn't really the MJQ's final performance and the group had been performing its "farewell" tour around the country all year, but for the time being following the Carnegie Hall appearance bassist Percy... Read More

Alright, Las Vegas, let’s lose our money and lose our minds!On September 20, 2003, The White Stripes took hold of Sin City and rocked it into oblivion. The Detroit garage rock duo blitzed through a setlist of familiar favorites, such as “Hotel Yorba” and “Fell in Love With A Girl.” Their then-new album, Elephant, took precedence with blistering renditions of “The Hardest Button to Button” and “Black Math.” The show caught its breath once drummer Meg White stepped away... Read More

That Swing Thing! by The Terry Gibbs Quartet (Verve V6-8447) released in 1961 was the record that got me on the vibes bandwagon. I bought it that year at E.J. Korvette's in Douglaston, N.Y. of the Long Island Expressway. I was too young to drive of course, so probably was taken there by my mother or sister. It's also where I heard for the first time Bobby Timmons' "Moanin'"— over a pair of Korvettes' XAM "housebrand"... Read More

Nat Hentoff's notes get directly to how this musical experiment might have easily gone awry: the unflappable, cerebral MJQ vibraphonist Milt Jackson meets Peterson's "abundant" style. Jackson never broke a sweat on stage, Peterson probably would have had he played the Arctic circle.Yet Jackson and The Oscar Peterson Trio seem made for each other on this musically satisfying, sonically enjoyable set. I've been listening to the original pretty... Read More

Best known for the cover of Chet Powers' (stage name Dino Valenti) anthemic "Get Together" found on the group's eponymous Felix Pappalardi produced 1967 debut album and later as the launch pad for Jesse Colin Young's fizzled solo career, The Youngbloods never got the much deserved recognition for its three smooth, dreamy, well-crafted rock-folk-jazz albums released by RCA between 1967 and 1969, the last and best one being this one, Elephant... Read More

The first Shakti album in 46 years is miraculous for a few reasons, the first being a "mind-body" cure for John McLaughlin's arthritic hand that had forced his 2017 retirement. The second is that though McLaughlin considers Shakti primarily a live band, this release was "phoned in" from various continents where the group members were living at the time. Not a problem for three of them—McLaughlin, percussionist Zakir Hussein and vocalist... Read More